My current research focuses on how 'world imaginations' are practiced in an era of climate crisis, which draws upon Global South epistemologies (pluriversal thinking) and ideas associated with 'new materialism' (assemblage theory). These will form the basis for my next monograph. Building on my own experiences as a trans woman, I also have an emerging interest in what trans* performance (defined as performances made by and for gender variant individuals) can offer as an approach to non-binary performance making. These research projects align in my forthcoming chapter Gender-Assemblages: The Scenographics of Sin Wai Kin (Analyzing Gender in Performance, Palgrave).
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