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Do you want to be trained as a journalist while also exploring the treasures of literature? This flexible course will enable you to do both at the same time. Learning within a stimulating creative community, you’ll gain skills for jobs in journalism and many other careers that value excellence in communication and analysis.

In the Journalism modules you’ll work up to professional standards as you research, present and produce stories across different media. You’ll have the opportunity to build a high-quality portfolio of published work that’s invaluable when it comes to job applications.

94% of students said the course has provided them with opportunities to explore ideas or concepts in depth (NSS 2020)

In Literature modules you’ll cover topics from Shakespeare to contemporary fiction. As you produce independent interpretations of texts and concepts, you’ll foster your appreciation, understanding and enjoyment of literary texts.

 

The student satisfaction rate for this course is 92% (NSS 2020)

Course Information

UCAS Code
PQ53

Level of Study
Undergraduate

Mode of Study
3 years full-time or 4 years with a placement (sandwich)/study abroad

Department
Arts

Location
City Campus, Northumbria University

City
Newcastle

Start
September 2022 or September 2023

Fee Information

Module Information

Discover our gallery below of our art students social posts to find out what it’s like to be part of the Northumbria creative community.

Department / Arts

From creating fine art to conserving it; from animation to film, theatre and television, through to arts management and teaching, our Arts department is a dynamic and stimulating environment to study in.

Reveal Graduate Showcase / The end of year showcase for our Creative Programmes

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Student Life / #IAmNorthumbria

Discover more about life in Newcastle and studying at Northumbria.

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Accommodation

Discover our residences

There are many different reasons to choose to study at Northumbria but we got Alice, Reza and Jasmine to narrow it down to just three reasons each on why they wanted to come study here.

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Newcastle

City Life

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Student Life at Northumbria

Discover More

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The Hub

Student Blog

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Social Wall

#IAmNorthumbria

Book an Open Day / Experience Journalism and English Literature BA (Hons)

Visit an Open Day to get an insight into what it's like to study Journalism and English Literature. Speak to staff and students from the course and get a tour of the facilities.

Entry Requirements 2022/23

Standard Entry

120 UCAS Tariff points

From a combination of acceptable Level 3 qualifications which may include: A-level, T Level, BTEC Diplomas/Extended Diplomas, Scottish and Irish Highers, Access to HE Diplomas, or the International Baccalaureate.

Find out how many points your qualifications are worth by using the UCAS Tariff calculator: www.ucas.com/ucas/tariff-calculator

Subject Requirements:

There are no specific subject requirements for this course.

GCSE Requirements:

Applicants will need Maths and English Language at minimum grade 4/C, or an equivalent.

Additional Requirements:

There are no additional requirements for this course.

International Qualifications:

We welcome applicants with a range of qualifications which may not match those shown above.

If you have qualifications from outside the UK, find out what you need by visiting www.northumbria.ac.uk/yourcountry

English Language Requirements:

International applicants should have a minimum overall IELTS (Academic) score of 6.0 with 5.5 in each component (or an approved equivalent*).

*The university accepts a large number of UK and International Qualifications in place of IELTS. You can find details of acceptable tests and the required grades in our English Language section: www.northumbria.ac.uk/englishqualifications 

Fees and Funding 2022/23 Entry

UK Fee in Year 1: £9,250

* The maximum tuition fee that we are permitted to charge for UK students is set by government. Tuition fees may increase in each subsequent academic year of your course, these are subject to government regulations and in line with inflation.


EU Fee in Year 1: £16,500

International Fee in Year 1: £16,500

 

Click here for UK, EU and International scholarship, fees, and funding information.

ADDITIONAL COSTS

During your course you are likely to incur travel costs as part of the final year placement/employability module. You may also incur costs for accommodation. Costs are highly variable depending on the location and duration of your chosen placement. There may be optional field trips which you may wish to take part in. Some will be local and just incur travel costs. Others may be to a European city with an approximate cost of £350-£450. The costs of books that you may wish to purchase are not included in the fee.

If you’d like to receive the latest updates from Northumbria about our courses, events, finance & funding then enter your details below.

* At Northumbria we are strongly committed to protecting the privacy of personal data. To view the University’s Privacy Notice please click here

Modules

Module information is indicative and is reviewed annually therefore may be subject to change. Applicants will be informed if there are any changes.

EL4001 -

Introduction to Literary Studies (Core,20 Credits)

You will be given the opportunity to familiarise yourself with conceptual issues such as canonicity, the unconscious, the tragic, the nature of the author, gender and postmodernity. Lectures will introduce you to these concepts and modes of applying these to literary texts as well as introducing you to new material in the texts themselves. Seminars will follow the lectures, where you will discuss and explore with your tutor and with your fellow students both the texts and their historical and theoretical contexts.

More information

EL4016 -

Talking Texts (Core,20 Credits)

This module offers students a forum to develop academic skills in close reading and analysis. A range of texts are examined within a reading-focussed workshop, including: the novel, short stories, poetry, plays, journalism, academic essays and online media such as blogs and flash fiction. Students are exposed to a range of writing in order to consider and develop their own reading practices. The discursive workshops develop speaking, listening, and critical skills through participation in classroom activities. The module prepares students for work at degree level, encouraging them to become independent learners in a supportive environment.

More information

EL4017 -

Gothic Stories: Nineteenth Century to the Present (Core,20 Credits)

In this module you will be given the opportunity to study a range of gothic texts from the nineteenth century to the contemporary period. This will provide you with the opportunity to explore the conventions of the genre as well as some of the ways in which gothic writing reflects and/or questions assumptions about race, gender, social class and sexuality. You will learn about the cultural significance of many familiar gothic motifs and figures such as ghosts, uncanny doubles, haunted houses and vampires.

More information

MP4002 -

Practices of Journalism (Core,20 Credits)

This module examines the historical evolution of journalism, examines its contemporary structures and cultures, and identifies the main issues confronting its future development. It integrates academic and journalistic perspectives to provide a wide-ranging introduction to the critical study of those policies and practices which determine journalistic production and consumption; and it equips those students contemplating a career in journalism with a comprehensive knowledge of its salient characteristics. The second half of the module looks at the role of the media and journalists in the democratic process. It looks at politics, elections and public administration at local, regional, national and European levels. You will learn how to cover political events and have an understanding of concepts of bias, objectivity, fairness and balance in political reporting. It will also look at rules of election reporting. You are also given a basic grounding in media law and the legal structures and environments in which journalists operate as well as newspaper and broadcast regulation.

More information

MP4006 -

Journalism and Design (Core,20 Credits)

In Journalism and Design you will be taught the essential principles of design and animation that are key to conveying information succinctly in a digital environment. This module will enable you to combine good journalism, which is well researched, and concisely written–focusing on only the most important information—with an attractive, attention grabbing and informative end product. That end product will be designed according to essential conceptual principles, demonstrating your knowledge of the needs of the audience and an ability to communicate with them in a visually engaging way. This approach will allow you to develop your skills in research, interviewing and writing and apply them to produce a portfolio of work in appropriately designed formats. You will also learn about how to interrogate data to produce stories and/or infographics. You will source your own stories, conduct research in developing those stories, and then translate those stories into appropriate outputs. In doing so, you will develop your ability to use online design software. More broadly, this process will enable you to develop your production and storytelling skills, laying a foundation for subsequent modules and your future career.

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MP4016 -

Writing for Digital (Core,20 Credits)

The purpose of the module Writing for Digital is to learn the basics of how to identify stories, source information, interview and write journalism for a range of publications including newspapers and online. As such you will learn to become an independent journalist, developing a sense of what is news and the best means to tell a story across a variety of media. You will also be taught how to write clearly and concisely, which is the heart of good journalism and online digital communication more broadly. You will be taught how to identify and write for your intended audience (rather than for yourself), and how to avoid the use of meaningless jargon and generic content. You will also be taught the importance of social media—where brevity is essential—in the digital age. These skills are fundamental for any career in communications, including public relations, journalism, advertising, social media management, and so forth. They will also provide a bedrock for your future employability by helping you to understand how to communicate about yourself and your interests in a professional manner.

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YA5001 -

Academic Language Skills for Arts (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

More information

AD5003 -

Arts Study Abroad (60 credit) (Optional,60 Credits)

The Study Abroad module is a semester based 60 credit module which is available on degree courses which facilitate study abroad within the programme. You will undertake a semester abroad at a partner university equivalent to 60 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be constructed to meet the learning outcomes for the programme for the semester in question, dependent on suitable modules from the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). The module will be assessed by conversion of graded marks from the host University.

Learning outcomes on the year-long modules on which the student is unable to attend the home institution must be met at the host institution, and marks from the host are incorporated into the modules as part of the overall assessment.

More information

EL5003 -

Early Modern Cultures (Optional,20 Credits)

On this module you will learn to read texts written in the period 1500-1700 historically. Lectures and seminars will encourage you to learn about the early modern period, and to situate texts by authors such as William Shakespeare, Christopher Marlowe, Thomas More, and Philip Sidney. You will learn about poetry, prose, and drama – situating literary genres from the period in relation to themes that include: class, race, sexuality, politics, authority, gender, and ideas of literary production itself. Lectures will trace the afterlives of some of the most influential texts ever written, and will encourage you to read these textual traditions in light of a range of western literary ideologies.

Building upon work completed at Level 4 on early modern authors like Shakespeare and Donne, this module offers students a more comprehensive survey of the early modern period. Encouraging students to read literature historically, Early Modern Cultures fosters key skills in tutor-led and independent reading and research that will complement a range of studies at level 6.

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EL5004 -

Modernism and Modernity (Core,20 Credits)

Through this module you will gain an understanding of the relation between literary modernism and modernity in the early part of the twentieth century. The module provides you with conceptual and historical frameworks for understanding the relation between art and social life. It gives you an opportunity to engage with the ways in which different literary genres prompted modernist experiments in form and with the various debates taking place between literary critics, writers, philosophers and cultural historians in early-twentieth-century Britain and the USA.

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EL5005 -

Geneses of English Literature (Optional,20 Credits)

What are the mythological frameworks of western culture, and how have they influenced and informed literary texts? This module will introduce you to poems, plays, and novels which adapt classical and biblical narratives – including mythologies of ‘genesis’ (Eden, Troy), ‘metamorphosis’ (Actaeon, Christ), and ‘underworlds’ (Orpheus and Eurydice, Satan) – unpacking and analysing some of the most central narratives of British and American literature. Using cultural theory relevant to appropriation studies, you will learn how to locate and analyse classical and biblical narratives in literary texts in meaningful ways. Reading beyond literature, you will also learn about how these narratives are employed in popular music, film, television, advertising, and wider popular cultures.

Building upon work completed at Level 4 in narrative and appropriation studies on modules such as EL4006 ‘Concepts in Criticism and Culture’, this module offers you a more focused and in depth opportunity to read core narrative and mythology ‘types’ in a range of twentieth and twenty-first century texts. The module fosters key skills in textual analysis, and your tutor-led and independent reading and research tasks will supplement and support learning at Level 6.

More information

EL5009 -

Literature and Adaptation (Optional,20 Credits)

This module explores adaptations of literary texts in modern culture. It focuses on the ways in which classic texts are retold and appropriated in a variety of popular genres, media, and formats. The module thus builds on the knowledge and skills developed at Level 4, particularly those concerning the notion of canonicity and the relations between ‘high’ and ‘low’ culture.

The module introduces you to the current theories of adaptation and teaches you the knowledge and skills necessary for critical analysis of adaptations. It also provides you with the terminology and skills needed for the study of film and other media, as well as non-canonical (popular) literary genres.

More information

EL5026 -

Literary Revolutions, Eighteenth Century to Romanticism (Core,20 Credits)

In this module you will study a range of texts from the eighteenth century to the Romantic period. The module considers a period in which literature and culture witnessed a succession of revolutionary changes. The novel emerged as a new form; female writers and readers took on a new prominence; the print market expanded enormously; and writers responded to the seismic changes in society caused by a period of war, imperial expansion, and political and social revolution. You will study a diverse and unusual range of texts that emerged from this period, and learn how to link the texts to the period’s context.

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MP5002 -

Media Law and Ethics (Core,20 Credits)

‘Media Law and Ethics’ investigates law and ethical conduct for print, online and broadcast journalists in the UK. It explores the current structure of media law and the criminal and civil court system. It also considers the ethical expectations and obligations of journalism as well as the constraints they create for journalists. Media Law and Ethics will enable you to understand the restrictions placed on journalists when reporting on criminal investigations and court proceedings. More broadly, this module aims to equip you with a critical awareness of the legal and ethical restrictions which will have an impact on the way you work as a journalist. Using contemporary examples as well as well-known cases, you will learn about the processes of the criminal court system and how to report its proceedings within the law. For example, ethical issues will be explored by working through restrictions placed on journalists when reporting on cases involving children and sex crimes. After successfully completing the module, you will be able to identify and respond to circumstances that impact on working journalists, including the dangers posed by defamation law (for example). You will also be able to evaluate how media regulation has developed over time, forming an understanding of how to work within the boundaries set by official bodies, and the limitations posed through self-regulation. Your personal and career development will be enhanced by applying your understanding of these ethical principles to journalistic working practices.

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MP5010 -

Public Relations (Optional,20 Credits)

In ‘Public Relations’ you will be introduced to the study and practise of public relations. This will involve both the analysis of campaigns and the production of materials appropriate to the PR management at a strategic and tactical level including events, corporate identity management, lobbying and other associated activities. The module will also introduce you to an understanding of the conduct of public relations in the context of the media in particular and a due consideration will be give to the reconciliation of client and audience needs and how these might be balanced.

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MP5023 -

Media Industries (Optional,20 Credits)

You will examine mass communications in the context of contemporary practices, trends, developments and trajectories that have developed and are developing within contemporary mass communication industries. The module takes a distinctive pedagogic approach in that the core of the module consists of three team-taught and research-led ‘symposiums’ that address a specific debate, development or controversy within the field of mass communication industries (broadcast, digital, advertising) and enable you to acquire a critical, multi-perspective, and evaluative grounding in the issues shaping such industries. Complementing and reinforcing the Media staff-led symposiums will be a series of lectures provided by industry guest speakers (from television, radio, advertising and digital/web companies) that will provide practical and state-of-the-art insights into key issues underpinning mass communication operations and developments. Finally, two workshop sessions will be based upon you undertaking personal research into salient issues (the front-facing components of Apple stores, the ‘brand’ and customer typology) and research-informed reflexive approaches to social networking technologies.

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MP5025 -

Feature writing (Optional,20 Credits)

‘’Feature Writing’ aims to give you the practical skills to operate as a magazine journalist within an understanding of the wider context of industry and society. Teaching will encourage independent learning and production of original work. You will learn to analyse and critique contemporary magazine styles in order to develop your writing across a variety of magazine-based work, including profiles, news items and longer features. At the end of this module you will be able to gather and write magazine stories.

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MP5026 -

Reporting Risk and Conflict (Optional,20 Credits)

‘Reporting Risk and Conflict’ will equip you with knowledge and skills to critically reflect on, and analyse, how issues and events of risk and conflict are reported within contemporary national and global contexts. It will provide you with the opportunity to explore the reporting of war and conflict, genocide and political/civil unrest, political and economic risks and environmental disasters using case studies in global society. It will provide you with the knowledge and skills to analyse reporting of risk and conflict within the context of critical journalism theory and research. By the end of the module, you will have gained, at the appropriate level, knowledge and skills to engage in key debates involving the reporting, under-reporting or mis-reporting of risk and conflict societies; critically explore the factors that shape the reporting of risk and conflict; appreciate the role of the news media in the social construction, or in the management/prevention, of risk and conflict societies.

More information

YA5001 -

Academic Language Skills for Arts (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

More information

AD5001 -

Arts Work Placement Year (Optional,120 Credits)

The Work Placement Year module is a 120 credit year-long module available on degree courses which include a work placement year, taken as an additional year of study at level 5 and before level 6 (the length of the placement(s) will be determined by your programme but it can be no less than 30 weeks). You will undertake a guided work placement at a host organisation. This is a Pass/Fail module and so does not contribute to classification. When taken and passed, however, the Placement Year is recognised in your transcript as a 120 credit Work Placement Module and on your degree certificate in the format – “Degree title (with Work Placement Year)”. The learning and teaching on your placement will be recorded in the work placement agreement signed by the placement provider, the student, and the University.

Specific learning will depend on the nature of the employer and the placement secured. In general terms, this module is an opportunity to gain significant experience of industry practice, and to learn professional, role-specific skills ‘on the job’. It’s also a great opportunity to improve transferable skills such as communication, interpersonal skills, personal organisation, time management, presentation, commercial awareness, entrepreneurial skills, branding, and professional conduct generally; and to enhance your CV and personal portfolio. Students who have carried out placements in previous years often describe it as a transformative experience; they report greatly increased personal confidence both in terms of launching their future careers, and in returning to their final year of study. Your employer will agree in advance what your learning is likely to include, and will help you reflect on this learning at the end of your placement.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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AD5002 -

Arts Study Abroad Year (Optional,120 Credits)

The Study Abroad Year module is a full year 120 credit module which is available on degree courses which include a study abroad year which is taken as an additional year of study at level 5 and before level 6. You will undertake a year abroad at a partner university equivalent to 120 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be dependent on the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). Your study abroad year will be assessed on a pass/fail basis. It will not count towards your final degree classification but, if you pass, it is recognised in your transcript as a 120 credit Study Abroad Module and on your degree certificate in the format – “Degree title (with Study Abroad Year)”.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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AT5004 -

Year in International Business (This is made up of modules studied in Newcastle (Semester 1) & Amsterdam (Semester 2) (Optional,120 Credits)

This overarching module descriptor covers the Year in International Business which is made up of 5 modules which students study in Newcastle (semester 1) and Amsterdam (semester 2).

This additional year of studies has been designed to develop students’ business awareness and their soft skills through a semester of study in the UK followed by engagement in studying in Amsterdam and working on real business projects to further enhance and develop this knowledge, skills and attributes.

Semester 1 in the UK comprises three 20-credit modules aimed at students new to business and management, which also equips the students for a semester in Amsterdam, working in teams on a “real-world”, client facing project. Of the modules studies in Semester 1 provide students with the “soft”, “analytical” and “project management” skills necessary to embark on a “real-world” client-centred consultancy project in Semester 2. In Semester 2, students will work move to Amsterdam and study two modules on Northumbria licensed premises. The first module, Group Business Consultancy Project, is a Level 5 40 credit Consultancy Project providing a supported and challenging experience with real business supervised by Northumbria and possibly Dutch academics. The final module complements the development of business knowledge and application through a contextualised consideration of International Business. This will also add to the Business Consultancy experience, thereby guaranteeing a coherent business experience.

The modules are outlined below:

Semester 1
HR9505 Managing People at Work (20 credits)
SM9511 Global Business Environment (20 credits)
AF5022 Financial Decision Making (20 credits)

Semester 2
AT5000 Digital Business (20)
AT5001 Group Business Consultancy Project (40 credits)

In semester 1, students will learn in an environment aligned to that of business students on full time programmes. A mixture of large group and small group sessions will take place. In semester 2, in accordance with the experiential learning pedagogical approach in the Business Clinic operated at Newcastle Business School, the group consultancy work will involve students working in groups, facilitated by academics but also independently and amongst their peers in collaborative project work to provide real business consultancy. Assessment has been developed in accordance with Northumbria’s Assessment for Learning principles including a broad mix of assessment appropriate to the learning outcomes being assessed and with opportunities for formative feedback.

A student who passes all modules will, on successful completion of their undergraduate programme of study, have the title “(Year in International Business UK and Amsterdam)” added to their degree award title. Students who do not pass 120 credits will have those modules that have been completed recorded on their transcript.

Please note, in line with the continuous improvement process for all Northumbria University programmes the International Year in Business is currently under review.

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AT5007 -

Year in International Multidisciplinary Innovation (4 modules studied in Amsterdam (Semester 1) & Newcastle (Semester 2) (Optional,120 Credits)

What will I learn on this module?

This overarching module descriptor covers the Year in International Multidisciplinary Innovation which is made up of 4 modules that the students will study in Amsterdam (semester 1) and Newcastle (semester 2).

This additional year of studies has been designed to develop students’ creative thinking and practical problem-solving skills in the context of design thinking approaches, all of which will significantly development academic and research skills and so strengthen employability on graduation. This year of study enhances your employability by unlocking and developing your creative problem-solving skills, knowledge, and expertise to make you more employment and industry-ready when you graduate through in multidisciplinary teams throughout your year of study in Amsterdam and Newcastle to creatively tackle and solve real-world challenges.
Semester 1 in Amsterdam comprises of two 20-credit modules aimed at students new to design thinking which also equips them for a semester in Newcastle, working in creative teams on a series of real-world projects that enhance creative thinking skills and attributes and multidisciplinary working practices. The modules studied in Semester 1, Innovative Design Practices and Tools and Multidisciplinary Exploration and Value Creation provide students with analytical design-inspired tools that enable students to examine real-world case studies that require multidisciplinary professional team-based responses and solution formation and implementation. In Semester 2, students will move to Newcastle to study two modules at Northumbria University. The first module, Design-Inspired Research Methods enables students to critically investigate key social, cultural, and technological challenges that modern urban spaces, cities, and professions. The final module, Creative Cities, enables students to engage in the creative comparative research of problems, challenges and potential innovative developments between Amsterdam and Newcastle (in terms of mobility, sustainable practices, energy provision, smart and digital technologies, urban design, or the role of cultural and humanities-oriented institutions).

The modules are outlined below:

Semester 1
AT5005 Innovative Design Practices and Tools (20 credits)
AT5006 Multidisciplinary Exploration and Value Creation (40 credits)

Semester 2
DE5012 Design-Inspired Research Methods (20 credits)
DE5013 Creative Cities (40 credits)

In semester 1, students will learn in a creative environment in the Amsterdam campus dedicated to full time programmes. A mixture of large group and small group sessions will take place in sessions and workshops that bring together AUAS and Northumbria students and staff. The focus of the teaching and learning is on creative interdisciplinary team activities that develop creative thinking and address real-world issues and problems. In semester 2, students engage in comparative city-based research to identify differing challenges facing Amsterdam and Newcastle. Students will approach a range of real-world issues from the perspective of their academic discipline and work with students from other perspectives to see how differing knowledges and skillsets can combine to address challenges in innovative and creative ways. These can include cultural institutions, design, technology, IT, and engineering, architecture, history, and the social sciences. Therefore, the programme is relevant for students from a range academic disciplines who will work together to stress how differing disciplines combine to provide solutions to challenges. Assessment has been developed in accordance with Northumbria’s Assessment for Learning principles including a broad mix of assessment appropriate to the learning outcomes being assessed and with opportunities for formative feedback.

A student who passes all modules will, on successful completion of their undergraduate programme of study, have the title “(Year in International Multidisciplinary Innovation UK and Amsterdam)” added to their degree award title. Students who do not pass 120 credits will have those modules that have been completed recorded on their transcript.

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EL6001 -

English Dissertation (Optional,40 Credits)

In your third year you will be ready to become an independent thinker and researcher. The dissertation is your opportunity to research and write a substantial investigation of a topic that you are really passionate about. Your tutors will support you as you learn how to work independently and to manage a large project. You will also learn project-management, research, presentation and writing skills. You will learn to be self-motivated and independent. By the end of the module you will have produced a major piece of work that you can be proud of, and you will be ready to continue as an independent thinker in further study or in the graduate job you go on to at the end of your third year.

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EL6004 -

Vamps and Virgins: Gothic Sexualities (Optional,20 Credits)

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

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EL6007 -

Sin, Sex, and Violence: Marlowe in Context (Optional,20 Credits)

This module will enhance your awareness and appreciation of one of the most controversial and stimulating authors of the early modern period (and beyond!), Christopher Marlowe (1564-1593). Marlowe wrote plays and poems that expose our darkest hearts, showing characters lusting for power, and each other. Building on your brief contact with Marlowe at Level 5, this module will offer a chronological survey of his short but staggering career, situating each of his works in relation to the tumultuous contexts of their production and reception, including later appropriations. This will involve looking at Marlowe in relation to discussions of early modern politics, religious conflict, sexuality, urbanisation, imperialism, science and magic, ethnicity, geography, and historiography. The module therefore offers a unique opportunity to see how one writer’s remarkable career developed.

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EL6018 -

The Black Atlantic: Literature, Slavery and Race (Optional,20 Credits)

This module will introduce you to a range of texts which have been created out of, or about, the experience of African peoples in the diaspora from the seventeenth century to the present. It will encourage you to relate your understanding of the texts to the cultural and historical background from which they developed. Following on from level four core modules this module will develop your understanding of the concept of the ‘Atlantic World’ and theories of local, national and global cultures as well as theories of race and postcolonial theory. You will be encouraged to recognise the activity of the slave trade as the beginning point of the Atlantic World as an imagined space that challenges national and chronological boundaries and speaks of the powerful and enduring legacies of slavery.

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EL6042 -

Postwar US Writing (Optional,20 Credits)

This module will enhance your understanding of postwar American literary culture in its broader social, political, and
economic contexts. Mid-century America was a time of profound contradictions: while US citizens lived under the shadow the bomb, many experienced unprecedented economic prosperity and access to new material comforts. We will explore how national paranoia
about the spread of communism and the nuclear arms race sat alongside – and fed into – the postwar image of the American ‘good life’, an image of suburban conformity underpinned by the growth of advertising and consumer culture. We will consider how postwar fiction and poetry challenges this demand for conformity in both content and form: through its complex representations of the American cold war experience and its innovative narrative and poetic strategies. The texts on this module offer insights into postwar attitudes towards a diverse range of topics, including national and international politics, work, leisure, and domesticity, gender and sexuality, and race and ethnicity.

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EL6047 -

Twenty First Century Literature: Writing in the Present (Optional,20 Credits)

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

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EL6049 -

From Jane Austen to Austenland: Representing the Regency in Literature and Film (Optional,20 Credits)

The Regency (1810-1820) is condensed and complex period of contrasts; whilst precipitating significant and lasting changes in literature, art, theatre, fashion, and architecture, it was also a period that was beset by war, ruthless suppression of popular protest, sexual scandal, and the Regent himself was an object of contempt and ridicule. However, the Regency has come to be represented in popular culture as the lost and last age of romance and elegance, partly the result of enhanced connections being made between Austen and the heritage industries in modern adaptations. This module examines representations of the Regency in literature and film, beginning with the works of Jane Austen, all of which were published during this period.

We will begin with an introduction to the social, cultural and political issues of the period, and we will consider Austen as a writer of the Regency. We will move on to consider the significance of twentieth-century adaptations, imitations and appropriations of Austen and representations of the Regency in the works of historical novelists such as Georgette Heyer and Barbara Cartland, and more contemporary works such as Shannon Hale’s ‘Austenland’. We will also consider the proliferation of Austen and the Regency-based texts in the American market in relation to thinking about both as a form of heritage tourism and escapism. Overall, we will be exploring the impact of Austen upon popular culture, how popular culture fosters a reconsideration of Austen and how we engage with both in relation how we envision our cultural past.

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EL6050 -

Making Books (Optional,20 Credits)

The eighteenth-century was a profoundly innovative moment in terms of the invention and development of the novel and the rapid expansion of the early book trade. But so often we read eighteenth-century fiction in modern, digitally-produced editions. How were eighteenth-century books first made? How are they made today? On this module, you will study individual literary texts alongside printing practices which have shaped and continue to contribute to the book trade. By studying literature through practical demonstrations and history of book production, you will build on previous knowledge gained in second and third year core modules in understanding how the book trade of today builds on the print cultures of the past. You will learn how to interpret as well as how to present and edit eighteenth-century literature, through being introduced to bibliographical and digital research methods. This module will enhance your knowledge and appreciation of eighteenth-century literature and build on your awareness of the print cultural contexts of book production in this period, including form, format, typography and editorial apparatus.

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EL6053 -

Writing Women: Aphra Behn in Focus (Optional,20 Credits)

This module explores the writings of the first professional woman writer in England, Aphra Behn (d. 1689). Biographically, Behn remains something of an enigma. We know little about her personal life, and some of our earliest records of her relate to her work as a Continental spy for Charles II. Yet Behn is one of the most important writers of the late seventeenth century. She contributed to many genres of literature (poetry, drama, translation and prose), she was the second most prolific dramatist of her age, and she authored the first English novel. Behn was a transformative and innovative author, deeply engaged with questions of gender and self-aware, in her writings, of her status as a female author in a male profession.
On this module we will read a selection of Behn’s writings, exploring their relationship to her contemporary writers, Behn’s historical moment and the broader development of literature. We will also explore the complex reception history of Behn’s work, thinking about why she disappeared from the literary canon within decades of her death, only to be rediscovered by feminist and postcolonial scholars from the 1970s and 80s. In studying Behn’s changing status as a literary author, and by reading her work, students will learn about a key moment (the 1670s-80s) in the development of the literary marketplace, whilst developing an appreciation of the ways in which gender concerns have affected access to Behn’s literature, as well as shaped (and, at times, limited) our understanding of its wider importance.
Today, Behn is much-studied and there are numerous scholarly editions of her writings. Yet there is still much we have yet to properly understand about her writings, and Behn studies are as vibrant and diverse as ever. Recent years have seen a renewed energy in Behn scholarship that seeks to understand her writings beyond their significance to gender studies, with scholars showing how Behn’s writings engage with the burning issues of the day: marital law; monarchy; philosophy; politics; science; sexuality; slavery.

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EL6055 -

Writing and Environment (Optional,20 Credits)

You will study a selection of texts, written from the eighteenth century to the present day, that engage with the natural environment in various ways. These include natural histories and popular science, pastoral and environmental poems, environmental protest literature, apocalyptic novels, and the ‘new nature writing’. You will learn how literary writers describe the world around them and how they use the natural world to articulate their own personal needs, feelings, and desires. You will study texts that draw attention both to natural beauty and to environmental catastrophe. You will learn how writers as diverse as Gilbert White, William Wordsworth, Charles Darwin, Rachel Carson, and Robert Macfarlane have changed the ways in which readers engage with the world around them. As part of your studies, you will learn to produce your own literary engagement with the natural world in a ‘creative field journal’, inspired by the writings of Charles Darwin, Robert Macfarlane, Amy Liptrott, and others. By the end of the module, you will have gained a sophisticated understanding not only of the ways that writers can change the world, but also how they can save it.

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EL6057 -

Thieves, Harlots, Pirates, Murderers: Criminal Lives in the Long Eighteenth Century (Optional,20 Credits)

The eighteenth century is often considered the ‘age of politeness’, a new enlightened age of material wealth, refinement, global trade and luxury, urban order and civility, and polished manners. However, the major changes that brought such refinement and wealth to British society also brought with them disruption, poverty, violence, and crime and a period of adjustment to modern commercial realities and pressures. This module will introduce students to eighteenth-century Britain’s underbelly of crime, through the lives of criminals who, reviled and celebrated in news, popular culture, and literature, were always the focus of public fasincation.

On this module, we will use a variety of media, including criminal biographies, novels, plays, poems, newspaper reports, pamphlets, legal records, art and visual culture, and film/TV adaptations, in order to explore the social, political, and cultural meanings encoded in the lives of criminals in eighteenth-century Britain and the countries to which its global trade reached. We will consider the ways in which criminal figures were represented and continue to be represented today, as well as the implications of these representations in terms of ideas about crime, social class, gender, regional and national identity, race, and culture.

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MI6010 -

Adaptations on Film and TV (Optional,20 Credits)

In ‘Adaptations on Film and TV’ you will examine the practical and theoretical debates around the translation of a variety of texts into films and television programmes. A broad-range of case studies is covered, from adaptations of ‘high art’ such as Shakespeare and literary fiction, to the conversion of popular fiction, comic-books and supposedly ‘unfilmable’ sources. As well as considering issues of authorship and originality, you will consider the complex relationship between film, television and other media forms, from music and video-gaming to theme-park rides. Films and programmes under discussion are likely to include examples such as Adaptation, William Shakespeare’s Romeo + Juliet, Sherlock, Doom, The Walking Dead, Band of Brothers, Star Trek amongst others.

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MP6005 -

Practical Media Project (Optional,40 Credits)

‘Practical Media Project’ will develop and hone practical skills that you have been taught on earlier modules and found an interest in throughout your first two years of study. Through practice and support from your allocated supervisor you will build upon the skills that you have learnt so far, as well as develop transferable skills that are industry facing and transferrable to other career paths. The project involves engaging in project design, considering ethical issues, researching, organising one’s time, planning, synthesising ideas, analysing current media trends, expressing your ideas and findings in a professional fashion, and producing a final practical output in a medium of your choice that adheres to both academic and industry standards.

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MP6006 -

Media Dissertation (Optional,40 Credits)

‘Media Dissertation’ involves the researching and writing of an 8,000-10,000 word media-related dissertation on a subject of your own choosing. You should attend a series of mandatory lecture/workshop sessions in which the fundamental requirements of preparing and researching a dissertation will be examined and explained. These sessions will be spread across semester 1 and semester 2. In Semester 1, you will develop your initial dissertation proposal up to the point where you are ready to start writing the dissertation itself. You will develop your information-retrieval skills, familiarise yourself with your chosen subject, find solutions to any problems arising out of your research design, consider the significance of any ethical constraints, formulate your principal research question, and determine the methodology you will use. You are required to complete a 2000 word dissertation plan as part of your progress (however, the module grade will be entirely assessed against your final 8000-10000 word dissertation). In Semester 2 you will develop and amend the ideas in your dissertation plan, carry out further research, prepare and write the final dissertation. Supervision will continue to be provided through regular meetings with your supervisor.

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MP6037 -

Sport, Media and Society (Optional,20 Credits)

‘Sport, Media and Society’ is designed so you learn to apply critical thought, sociological analysis and relevant theories to contemporary mediated-sport. The content will necessarily be dynamic and continually evolving to reflect the fluid nature of the relationship between contemporary sport and the media (particularly through the development of new and social media) as well as related theoretical and political debates. However, the module will be built around the following key themes which are likely to remain central to it
• The history of mass media, using sports media as an exemplary case study, with focus on related social and cultural institutions (eg advertising and government)
• Sports-media as an agent of socialisation and source of social and cultural power.
• The emergence of ‘new’ and ‘social’ media (including, but not limited to, Twitter, Periscope, gambling, gaming) and its impact on traditional forms of media as well as the construction of sports-media narratives, identity and other social relations.
• Underlying theoretical, ethical and political issues in the relationship between sport and the mass media, including, but not limited to, the representation of gender, sexuality, class and regional and national identities.

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MP6039 -

Employability Portfolio (Optional,40 Credits)

In this module you will consider where your strengths lie in the field if journalism (or your chosen post-graduation career path) and thus what profession, activity or further study would suit you. Research and investigation of current practice is at the core of the module. Your work will reflect current contemporary practice in journalism (or your chosen profession) while taking an approach of curiosity, creativity and experimentation, showing understanding of the roles and responsibilities in your chosen field.
This module guides you in the identification and successful completion of a work experience placement. The work placement or portfolio of visits totals a minimum of four weeks (20 days). The intention is that every student will gain experience of work placement in the journalism and/or media industry, learning not only a basic understanding of the production processes at placement organisations but, using skills taught on the course, learn to become part of the placement organisation team, thereby making a meaningful contribution wherever possible to the output. You also gain insight into employability by developing CVs, personal branding skills and job interview techniques via a series of lectures and seminars
You will realise a comprehensive and dynamic exit portfolio of work that demonstrates your capabilities as a professional journalist. You will be encouraged and supported to present your skills and abilities in a manner appealing to a potential employer, highlighting employability and flexibility through your individual project outcomes. Your in-depth research skills will translate into polished final outputs, equipping you with industry-standard knowledge of contemporary practice, technological insight and a professional and employable skill set.

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YA5001 -

Academic Language Skills for Arts (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

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Modules

Module information is indicative and is reviewed annually therefore may be subject to change. Applicants will be informed if there are any changes.

EL4001 -

Introduction to Literary Studies (Core,20 Credits)

You will be given the opportunity to familiarise yourself with conceptual issues such as canonicity, the unconscious, the tragic, the nature of the author, gender and postmodernity. Lectures will introduce you to these concepts and modes of applying these to literary texts as well as introducing you to new material in the texts themselves. Seminars will follow the lectures, where you will discuss and explore with your tutor and with your fellow students both the texts and their historical and theoretical contexts.

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EL4016 -

Talking Texts (Core,20 Credits)

This module offers students a forum to develop academic skills in close reading and analysis. A range of texts are examined within a reading-focussed workshop, including: the novel, short stories, poetry, plays, journalism, academic essays and online media such as blogs and flash fiction. Students are exposed to a range of writing in order to consider and develop their own reading practices. The discursive workshops develop speaking, listening, and critical skills through participation in classroom activities. The module prepares students for work at degree level, encouraging them to become independent learners in a supportive environment.

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EL4017 -

Gothic Stories: Nineteenth Century to the Present (Core,20 Credits)

In this module you will be given the opportunity to study a range of gothic texts from the nineteenth century to the contemporary period. This will provide you with the opportunity to explore the conventions of the genre as well as some of the ways in which gothic writing reflects and/or questions assumptions about race, gender, social class and sexuality. You will learn about the cultural significance of many familiar gothic motifs and figures such as ghosts, uncanny doubles, haunted houses and vampires.

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MP4002 -

Practices of Journalism (Core,20 Credits)

This module examines the historical evolution of journalism, examines its contemporary structures and cultures, and identifies the main issues confronting its future development. It integrates academic and journalistic perspectives to provide a wide-ranging introduction to the critical study of those policies and practices which determine journalistic production and consumption; and it equips those students contemplating a career in journalism with a comprehensive knowledge of its salient characteristics. The second half of the module looks at the role of the media and journalists in the democratic process. It looks at politics, elections and public administration at local, regional, national and European levels. You will learn how to cover political events and have an understanding of concepts of bias, objectivity, fairness and balance in political reporting. It will also look at rules of election reporting. You are also given a basic grounding in media law and the legal structures and environments in which journalists operate as well as newspaper and broadcast regulation.

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MP4006 -

Journalism and Design (Core,20 Credits)

In Journalism and Design you will be taught the essential principles of design and animation that are key to conveying information succinctly in a digital environment. This module will enable you to combine good journalism, which is well researched, and concisely written–focusing on only the most important information—with an attractive, attention grabbing and informative end product. That end product will be designed according to essential conceptual principles, demonstrating your knowledge of the needs of the audience and an ability to communicate with them in a visually engaging way. This approach will allow you to develop your skills in research, interviewing and writing and apply them to produce a portfolio of work in appropriately designed formats. You will also learn about how to interrogate data to produce stories and/or infographics. You will source your own stories, conduct research in developing those stories, and then translate those stories into appropriate outputs. In doing so, you will develop your ability to use online design software. More broadly, this process will enable you to develop your production and storytelling skills, laying a foundation for subsequent modules and your future career.

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MP4016 -

Writing for Digital (Core,20 Credits)

The purpose of the module Writing for Digital is to learn the basics of how to identify stories, source information, interview and write journalism for a range of publications including newspapers and online. As such you will learn to become an independent journalist, developing a sense of what is news and the best means to tell a story across a variety of media. You will also be taught how to write clearly and concisely, which is the heart of good journalism and online digital communication more broadly. You will be taught how to identify and write for your intended audience (rather than for yourself), and how to avoid the use of meaningless jargon and generic content. You will also be taught the importance of social media—where brevity is essential—in the digital age. These skills are fundamental for any career in communications, including public relations, journalism, advertising, social media management, and so forth. They will also provide a bedrock for your future employability by helping you to understand how to communicate about yourself and your interests in a professional manner.

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YA5001 -

Academic Language Skills for Arts (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

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AD5003 -

Arts Study Abroad (60 credit) (Optional,60 Credits)

The Study Abroad module is a semester based 60 credit module which is available on degree courses which facilitate study abroad within the programme. You will undertake a semester abroad at a partner university equivalent to 60 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be constructed to meet the learning outcomes for the programme for the semester in question, dependent on suitable modules from the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). The module will be assessed by conversion of graded marks from the host University.

Learning outcomes on the year-long modules on which the student is unable to attend the home institution must be met at the host institution, and marks from the host are incorporated into the modules as part of the overall assessment.

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EL5003 -

Early Modern Cultures (Optional,20 Credits)

On this module you will learn to read texts written in the period 1500-1700 historically. Lectures and seminars will encourage you to learn about the early modern period, and to situate texts by authors such as William Shakespeare, Christopher Marlowe, Thomas More, and Philip Sidney. You will learn about poetry, prose, and drama – situating literary genres from the period in relation to themes that include: class, race, sexuality, politics, authority, gender, and ideas of literary production itself. Lectures will trace the afterlives of some of the most influential texts ever written, and will encourage you to read these textual traditions in light of a range of western literary ideologies.

Building upon work completed at Level 4 on early modern authors like Shakespeare and Donne, this module offers students a more comprehensive survey of the early modern period. Encouraging students to read literature historically, Early Modern Cultures fosters key skills in tutor-led and independent reading and research that will complement a range of studies at level 6.

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EL5004 -

Modernism and Modernity (Core,20 Credits)

Through this module you will gain an understanding of the relation between literary modernism and modernity in the early part of the twentieth century. The module provides you with conceptual and historical frameworks for understanding the relation between art and social life. It gives you an opportunity to engage with the ways in which different literary genres prompted modernist experiments in form and with the various debates taking place between literary critics, writers, philosophers and cultural historians in early-twentieth-century Britain and the USA.

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EL5005 -

Geneses of English Literature (Optional,20 Credits)

What are the mythological frameworks of western culture, and how have they influenced and informed literary texts? This module will introduce you to poems, plays, and novels which adapt classical and biblical narratives – including mythologies of ‘genesis’ (Eden, Troy), ‘metamorphosis’ (Actaeon, Christ), and ‘underworlds’ (Orpheus and Eurydice, Satan) – unpacking and analysing some of the most central narratives of British and American literature. Using cultural theory relevant to appropriation studies, you will learn how to locate and analyse classical and biblical narratives in literary texts in meaningful ways. Reading beyond literature, you will also learn about how these narratives are employed in popular music, film, television, advertising, and wider popular cultures.

Building upon work completed at Level 4 in narrative and appropriation studies on modules such as EL4006 ‘Concepts in Criticism and Culture’, this module offers you a more focused and in depth opportunity to read core narrative and mythology ‘types’ in a range of twentieth and twenty-first century texts. The module fosters key skills in textual analysis, and your tutor-led and independent reading and research tasks will supplement and support learning at Level 6.

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EL5009 -

Literature and Adaptation (Optional,20 Credits)

This module explores adaptations of literary texts in modern culture. It focuses on the ways in which classic texts are retold and appropriated in a variety of popular genres, media, and formats. The module thus builds on the knowledge and skills developed at Level 4, particularly those concerning the notion of canonicity and the relations between ‘high’ and ‘low’ culture.

The module introduces you to the current theories of adaptation and teaches you the knowledge and skills necessary for critical analysis of adaptations. It also provides you with the terminology and skills needed for the study of film and other media, as well as non-canonical (popular) literary genres.

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EL5026 -

Literary Revolutions, Eighteenth Century to Romanticism (Core,20 Credits)

In this module you will study a range of texts from the eighteenth century to the Romantic period. The module considers a period in which literature and culture witnessed a succession of revolutionary changes. The novel emerged as a new form; female writers and readers took on a new prominence; the print market expanded enormously; and writers responded to the seismic changes in society caused by a period of war, imperial expansion, and political and social revolution. You will study a diverse and unusual range of texts that emerged from this period, and learn how to link the texts to the period’s context.

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MP5002 -

Media Law and Ethics (Core,20 Credits)

‘Media Law and Ethics’ investigates law and ethical conduct for print, online and broadcast journalists in the UK. It explores the current structure of media law and the criminal and civil court system. It also considers the ethical expectations and obligations of journalism as well as the constraints they create for journalists. Media Law and Ethics will enable you to understand the restrictions placed on journalists when reporting on criminal investigations and court proceedings. More broadly, this module aims to equip you with a critical awareness of the legal and ethical restrictions which will have an impact on the way you work as a journalist. Using contemporary examples as well as well-known cases, you will learn about the processes of the criminal court system and how to report its proceedings within the law. For example, ethical issues will be explored by working through restrictions placed on journalists when reporting on cases involving children and sex crimes. After successfully completing the module, you will be able to identify and respond to circumstances that impact on working journalists, including the dangers posed by defamation law (for example). You will also be able to evaluate how media regulation has developed over time, forming an understanding of how to work within the boundaries set by official bodies, and the limitations posed through self-regulation. Your personal and career development will be enhanced by applying your understanding of these ethical principles to journalistic working practices.

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MP5010 -

Public Relations (Optional,20 Credits)

In ‘Public Relations’ you will be introduced to the study and practise of public relations. This will involve both the analysis of campaigns and the production of materials appropriate to the PR management at a strategic and tactical level including events, corporate identity management, lobbying and other associated activities. The module will also introduce you to an understanding of the conduct of public relations in the context of the media in particular and a due consideration will be give to the reconciliation of client and audience needs and how these might be balanced.

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MP5023 -

Media Industries (Optional,20 Credits)

You will examine mass communications in the context of contemporary practices, trends, developments and trajectories that have developed and are developing within contemporary mass communication industries. The module takes a distinctive pedagogic approach in that the core of the module consists of three team-taught and research-led ‘symposiums’ that address a specific debate, development or controversy within the field of mass communication industries (broadcast, digital, advertising) and enable you to acquire a critical, multi-perspective, and evaluative grounding in the issues shaping such industries. Complementing and reinforcing the Media staff-led symposiums will be a series of lectures provided by industry guest speakers (from television, radio, advertising and digital/web companies) that will provide practical and state-of-the-art insights into key issues underpinning mass communication operations and developments. Finally, two workshop sessions will be based upon you undertaking personal research into salient issues (the front-facing components of Apple stores, the ‘brand’ and customer typology) and research-informed reflexive approaches to social networking technologies.

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MP5025 -

Feature writing (Optional,20 Credits)

‘’Feature Writing’ aims to give you the practical skills to operate as a magazine journalist within an understanding of the wider context of industry and society. Teaching will encourage independent learning and production of original work. You will learn to analyse and critique contemporary magazine styles in order to develop your writing across a variety of magazine-based work, including profiles, news items and longer features. At the end of this module you will be able to gather and write magazine stories.

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MP5026 -

Reporting Risk and Conflict (Optional,20 Credits)

‘Reporting Risk and Conflict’ will equip you with knowledge and skills to critically reflect on, and analyse, how issues and events of risk and conflict are reported within contemporary national and global contexts. It will provide you with the opportunity to explore the reporting of war and conflict, genocide and political/civil unrest, political and economic risks and environmental disasters using case studies in global society. It will provide you with the knowledge and skills to analyse reporting of risk and conflict within the context of critical journalism theory and research. By the end of the module, you will have gained, at the appropriate level, knowledge and skills to engage in key debates involving the reporting, under-reporting or mis-reporting of risk and conflict societies; critically explore the factors that shape the reporting of risk and conflict; appreciate the role of the news media in the social construction, or in the management/prevention, of risk and conflict societies.

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YA5001 -

Academic Language Skills for Arts (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

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AD5001 -

Arts Work Placement Year (Optional,120 Credits)

The Work Placement Year module is a 120 credit year-long module available on degree courses which include a work placement year, taken as an additional year of study at level 5 and before level 6 (the length of the placement(s) will be determined by your programme but it can be no less than 30 weeks). You will undertake a guided work placement at a host organisation. This is a Pass/Fail module and so does not contribute to classification. When taken and passed, however, the Placement Year is recognised in your transcript as a 120 credit Work Placement Module and on your degree certificate in the format – “Degree title (with Work Placement Year)”. The learning and teaching on your placement will be recorded in the work placement agreement signed by the placement provider, the student, and the University.

Specific learning will depend on the nature of the employer and the placement secured. In general terms, this module is an opportunity to gain significant experience of industry practice, and to learn professional, role-specific skills ‘on the job’. It’s also a great opportunity to improve transferable skills such as communication, interpersonal skills, personal organisation, time management, presentation, commercial awareness, entrepreneurial skills, branding, and professional conduct generally; and to enhance your CV and personal portfolio. Students who have carried out placements in previous years often describe it as a transformative experience; they report greatly increased personal confidence both in terms of launching their future careers, and in returning to their final year of study. Your employer will agree in advance what your learning is likely to include, and will help you reflect on this learning at the end of your placement.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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AD5002 -

Arts Study Abroad Year (Optional,120 Credits)

The Study Abroad Year module is a full year 120 credit module which is available on degree courses which include a study abroad year which is taken as an additional year of study at level 5 and before level 6. You will undertake a year abroad at a partner university equivalent to 120 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be dependent on the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). Your study abroad year will be assessed on a pass/fail basis. It will not count towards your final degree classification but, if you pass, it is recognised in your transcript as a 120 credit Study Abroad Module and on your degree certificate in the format – “Degree title (with Study Abroad Year)”.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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AT5004 -

Year in International Business (This is made up of modules studied in Newcastle (Semester 1) & Amsterdam (Semester 2) (Optional,120 Credits)

This overarching module descriptor covers the Year in International Business which is made up of 5 modules which students study in Newcastle (semester 1) and Amsterdam (semester 2).

This additional year of studies has been designed to develop students’ business awareness and their soft skills through a semester of study in the UK followed by engagement in studying in Amsterdam and working on real business projects to further enhance and develop this knowledge, skills and attributes.

Semester 1 in the UK comprises three 20-credit modules aimed at students new to business and management, which also equips the students for a semester in Amsterdam, working in teams on a “real-world”, client facing project. Of the modules studies in Semester 1 provide students with the “soft”, “analytical” and “project management” skills necessary to embark on a “real-world” client-centred consultancy project in Semester 2. In Semester 2, students will work move to Amsterdam and study two modules on Northumbria licensed premises. The first module, Group Business Consultancy Project, is a Level 5 40 credit Consultancy Project providing a supported and challenging experience with real business supervised by Northumbria and possibly Dutch academics. The final module complements the development of business knowledge and application through a contextualised consideration of International Business. This will also add to the Business Consultancy experience, thereby guaranteeing a coherent business experience.

The modules are outlined below:

Semester 1
HR9505 Managing People at Work (20 credits)
SM9511 Global Business Environment (20 credits)
AF5022 Financial Decision Making (20 credits)

Semester 2
AT5000 Digital Business (20)
AT5001 Group Business Consultancy Project (40 credits)

In semester 1, students will learn in an environment aligned to that of business students on full time programmes. A mixture of large group and small group sessions will take place. In semester 2, in accordance with the experiential learning pedagogical approach in the Business Clinic operated at Newcastle Business School, the group consultancy work will involve students working in groups, facilitated by academics but also independently and amongst their peers in collaborative project work to provide real business consultancy. Assessment has been developed in accordance with Northumbria’s Assessment for Learning principles including a broad mix of assessment appropriate to the learning outcomes being assessed and with opportunities for formative feedback.

A student who passes all modules will, on successful completion of their undergraduate programme of study, have the title “(Year in International Business UK and Amsterdam)” added to their degree award title. Students who do not pass 120 credits will have those modules that have been completed recorded on their transcript.

Please note, in line with the continuous improvement process for all Northumbria University programmes the International Year in Business is currently under review.

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AT5007 -

Year in International Multidisciplinary Innovation (4 modules studied in Amsterdam (Semester 1) & Newcastle (Semester 2) (Optional,120 Credits)

What will I learn on this module?

This overarching module descriptor covers the Year in International Multidisciplinary Innovation which is made up of 4 modules that the students will study in Amsterdam (semester 1) and Newcastle (semester 2).

This additional year of studies has been designed to develop students’ creative thinking and practical problem-solving skills in the context of design thinking approaches, all of which will significantly development academic and research skills and so strengthen employability on graduation. This year of study enhances your employability by unlocking and developing your creative problem-solving skills, knowledge, and expertise to make you more employment and industry-ready when you graduate through in multidisciplinary teams throughout your year of study in Amsterdam and Newcastle to creatively tackle and solve real-world challenges.
Semester 1 in Amsterdam comprises of two 20-credit modules aimed at students new to design thinking which also equips them for a semester in Newcastle, working in creative teams on a series of real-world projects that enhance creative thinking skills and attributes and multidisciplinary working practices. The modules studied in Semester 1, Innovative Design Practices and Tools and Multidisciplinary Exploration and Value Creation provide students with analytical design-inspired tools that enable students to examine real-world case studies that require multidisciplinary professional team-based responses and solution formation and implementation. In Semester 2, students will move to Newcastle to study two modules at Northumbria University. The first module, Design-Inspired Research Methods enables students to critically investigate key social, cultural, and technological challenges that modern urban spaces, cities, and professions. The final module, Creative Cities, enables students to engage in the creative comparative research of problems, challenges and potential innovative developments between Amsterdam and Newcastle (in terms of mobility, sustainable practices, energy provision, smart and digital technologies, urban design, or the role of cultural and humanities-oriented institutions).

The modules are outlined below:

Semester 1
AT5005 Innovative Design Practices and Tools (20 credits)
AT5006 Multidisciplinary Exploration and Value Creation (40 credits)

Semester 2
DE5012 Design-Inspired Research Methods (20 credits)
DE5013 Creative Cities (40 credits)

In semester 1, students will learn in a creative environment in the Amsterdam campus dedicated to full time programmes. A mixture of large group and small group sessions will take place in sessions and workshops that bring together AUAS and Northumbria students and staff. The focus of the teaching and learning is on creative interdisciplinary team activities that develop creative thinking and address real-world issues and problems. In semester 2, students engage in comparative city-based research to identify differing challenges facing Amsterdam and Newcastle. Students will approach a range of real-world issues from the perspective of their academic discipline and work with students from other perspectives to see how differing knowledges and skillsets can combine to address challenges in innovative and creative ways. These can include cultural institutions, design, technology, IT, and engineering, architecture, history, and the social sciences. Therefore, the programme is relevant for students from a range academic disciplines who will work together to stress how differing disciplines combine to provide solutions to challenges. Assessment has been developed in accordance with Northumbria’s Assessment for Learning principles including a broad mix of assessment appropriate to the learning outcomes being assessed and with opportunities for formative feedback.

A student who passes all modules will, on successful completion of their undergraduate programme of study, have the title “(Year in International Multidisciplinary Innovation UK and Amsterdam)” added to their degree award title. Students who do not pass 120 credits will have those modules that have been completed recorded on their transcript.

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EL6001 -

English Dissertation (Optional,40 Credits)

In your third year you will be ready to become an independent thinker and researcher. The dissertation is your opportunity to research and write a substantial investigation of a topic that you are really passionate about. Your tutors will support you as you learn how to work independently and to manage a large project. You will also learn project-management, research, presentation and writing skills. You will learn to be self-motivated and independent. By the end of the module you will have produced a major piece of work that you can be proud of, and you will be ready to continue as an independent thinker in further study or in the graduate job you go on to at the end of your third year.

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EL6004 -

Vamps and Virgins: Gothic Sexualities (Optional,20 Credits)

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

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EL6007 -

Sin, Sex, and Violence: Marlowe in Context (Optional,20 Credits)

This module will enhance your awareness and appreciation of one of the most controversial and stimulating authors of the early modern period (and beyond!), Christopher Marlowe (1564-1593). Marlowe wrote plays and poems that expose our darkest hearts, showing characters lusting for power, and each other. Building on your brief contact with Marlowe at Level 5, this module will offer a chronological survey of his short but staggering career, situating each of his works in relation to the tumultuous contexts of their production and reception, including later appropriations. This will involve looking at Marlowe in relation to discussions of early modern politics, religious conflict, sexuality, urbanisation, imperialism, science and magic, ethnicity, geography, and historiography. The module therefore offers a unique opportunity to see how one writer’s remarkable career developed.

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EL6018 -

The Black Atlantic: Literature, Slavery and Race (Optional,20 Credits)

This module will introduce you to a range of texts which have been created out of, or about, the experience of African peoples in the diaspora from the seventeenth century to the present. It will encourage you to relate your understanding of the texts to the cultural and historical background from which they developed. Following on from level four core modules this module will develop your understanding of the concept of the ‘Atlantic World’ and theories of local, national and global cultures as well as theories of race and postcolonial theory. You will be encouraged to recognise the activity of the slave trade as the beginning point of the Atlantic World as an imagined space that challenges national and chronological boundaries and speaks of the powerful and enduring legacies of slavery.

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EL6042 -

Postwar US Writing (Optional,20 Credits)

This module will enhance your understanding of postwar American literary culture in its broader social, political, and
economic contexts. Mid-century America was a time of profound contradictions: while US citizens lived under the shadow the bomb, many experienced unprecedented economic prosperity and access to new material comforts. We will explore how national paranoia
about the spread of communism and the nuclear arms race sat alongside – and fed into – the postwar image of the American ‘good life’, an image of suburban conformity underpinned by the growth of advertising and consumer culture. We will consider how postwar fiction and poetry challenges this demand for conformity in both content and form: through its complex representations of the American cold war experience and its innovative narrative and poetic strategies. The texts on this module offer insights into postwar attitudes towards a diverse range of topics, including national and international politics, work, leisure, and domesticity, gender and sexuality, and race and ethnicity.

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EL6047 -

Twenty First Century Literature: Writing in the Present (Optional,20 Credits)

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

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EL6049 -

From Jane Austen to Austenland: Representing the Regency in Literature and Film (Optional,20 Credits)

The Regency (1810-1820) is condensed and complex period of contrasts; whilst precipitating significant and lasting changes in literature, art, theatre, fashion, and architecture, it was also a period that was beset by war, ruthless suppression of popular protest, sexual scandal, and the Regent himself was an object of contempt and ridicule. However, the Regency has come to be represented in popular culture as the lost and last age of romance and elegance, partly the result of enhanced connections being made between Austen and the heritage industries in modern adaptations. This module examines representations of the Regency in literature and film, beginning with the works of Jane Austen, all of which were published during this period.

We will begin with an introduction to the social, cultural and political issues of the period, and we will consider Austen as a writer of the Regency. We will move on to consider the significance of twentieth-century adaptations, imitations and appropriations of Austen and representations of the Regency in the works of historical novelists such as Georgette Heyer and Barbara Cartland, and more contemporary works such as Shannon Hale’s ‘Austenland’. We will also consider the proliferation of Austen and the Regency-based texts in the American market in relation to thinking about both as a form of heritage tourism and escapism. Overall, we will be exploring the impact of Austen upon popular culture, how popular culture fosters a reconsideration of Austen and how we engage with both in relation how we envision our cultural past.

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EL6050 -

Making Books (Optional,20 Credits)

The eighteenth-century was a profoundly innovative moment in terms of the invention and development of the novel and the rapid expansion of the early book trade. But so often we read eighteenth-century fiction in modern, digitally-produced editions. How were eighteenth-century books first made? How are they made today? On this module, you will study individual literary texts alongside printing practices which have shaped and continue to contribute to the book trade. By studying literature through practical demonstrations and history of book production, you will build on previous knowledge gained in second and third year core modules in understanding how the book trade of today builds on the print cultures of the past. You will learn how to interpret as well as how to present and edit eighteenth-century literature, through being introduced to bibliographical and digital research methods. This module will enhance your knowledge and appreciation of eighteenth-century literature and build on your awareness of the print cultural contexts of book production in this period, including form, format, typography and editorial apparatus.

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EL6053 -

Writing Women: Aphra Behn in Focus (Optional,20 Credits)

This module explores the writings of the first professional woman writer in England, Aphra Behn (d. 1689). Biographically, Behn remains something of an enigma. We know little about her personal life, and some of our earliest records of her relate to her work as a Continental spy for Charles II. Yet Behn is one of the most important writers of the late seventeenth century. She contributed to many genres of literature (poetry, drama, translation and prose), she was the second most prolific dramatist of her age, and she authored the first English novel. Behn was a transformative and innovative author, deeply engaged with questions of gender and self-aware, in her writings, of her status as a female author in a male profession.
On this module we will read a selection of Behn’s writings, exploring their relationship to her contemporary writers, Behn’s historical moment and the broader development of literature. We will also explore the complex reception history of Behn’s work, thinking about why she disappeared from the literary canon within decades of her death, only to be rediscovered by feminist and postcolonial scholars from the 1970s and 80s. In studying Behn’s changing status as a literary author, and by reading her work, students will learn about a key moment (the 1670s-80s) in the development of the literary marketplace, whilst developing an appreciation of the ways in which gender concerns have affected access to Behn’s literature, as well as shaped (and, at times, limited) our understanding of its wider importance.
Today, Behn is much-studied and there are numerous scholarly editions of her writings. Yet there is still much we have yet to properly understand about her writings, and Behn studies are as vibrant and diverse as ever. Recent years have seen a renewed energy in Behn scholarship that seeks to understand her writings beyond their significance to gender studies, with scholars showing how Behn’s writings engage with the burning issues of the day: marital law; monarchy; philosophy; politics; science; sexuality; slavery.

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EL6055 -

Writing and Environment (Optional,20 Credits)

You will study a selection of texts, written from the eighteenth century to the present day, that engage with the natural environment in various ways. These include natural histories and popular science, pastoral and environmental poems, environmental protest literature, apocalyptic novels, and the ‘new nature writing’. You will learn how literary writers describe the world around them and how they use the natural world to articulate their own personal needs, feelings, and desires. You will study texts that draw attention both to natural beauty and to environmental catastrophe. You will learn how writers as diverse as Gilbert White, William Wordsworth, Charles Darwin, Rachel Carson, and Robert Macfarlane have changed the ways in which readers engage with the world around them. As part of your studies, you will learn to produce your own literary engagement with the natural world in a ‘creative field journal’, inspired by the writings of Charles Darwin, Robert Macfarlane, Amy Liptrott, and others. By the end of the module, you will have gained a sophisticated understanding not only of the ways that writers can change the world, but also how they can save it.

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EL6057 -

Thieves, Harlots, Pirates, Murderers: Criminal Lives in the Long Eighteenth Century (Optional,20 Credits)

The eighteenth century is often considered the ‘age of politeness’, a new enlightened age of material wealth, refinement, global trade and luxury, urban order and civility, and polished manners. However, the major changes that brought such refinement and wealth to British society also brought with them disruption, poverty, violence, and crime and a period of adjustment to modern commercial realities and pressures. This module will introduce students to eighteenth-century Britain’s underbelly of crime, through the lives of criminals who, reviled and celebrated in news, popular culture, and literature, were always the focus of public fasincation.

On this module, we will use a variety of media, including criminal biographies, novels, plays, poems, newspaper reports, pamphlets, legal records, art and visual culture, and film/TV adaptations, in order to explore the social, political, and cultural meanings encoded in the lives of criminals in eighteenth-century Britain and the countries to which its global trade reached. We will consider the ways in which criminal figures were represented and continue to be represented today, as well as the implications of these representations in terms of ideas about crime, social class, gender, regional and national identity, race, and culture.

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MI6010 -

Adaptations on Film and TV (Optional,20 Credits)

In ‘Adaptations on Film and TV’ you will examine the practical and theoretical debates around the translation of a variety of texts into films and television programmes. A broad-range of case studies is covered, from adaptations of ‘high art’ such as Shakespeare and literary fiction, to the conversion of popular fiction, comic-books and supposedly ‘unfilmable’ sources. As well as considering issues of authorship and originality, you will consider the complex relationship between film, television and other media forms, from music and video-gaming to theme-park rides. Films and programmes under discussion are likely to include examples such as Adaptation, William Shakespeare’s Romeo + Juliet, Sherlock, Doom, The Walking Dead, Band of Brothers, Star Trek amongst others.

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MP6005 -

Practical Media Project (Optional,40 Credits)

‘Practical Media Project’ will develop and hone practical skills that you have been taught on earlier modules and found an interest in throughout your first two years of study. Through practice and support from your allocated supervisor you will build upon the skills that you have learnt so far, as well as develop transferable skills that are industry facing and transferrable to other career paths. The project involves engaging in project design, considering ethical issues, researching, organising one’s time, planning, synthesising ideas, analysing current media trends, expressing your ideas and findings in a professional fashion, and producing a final practical output in a medium of your choice that adheres to both academic and industry standards.

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MP6006 -

Media Dissertation (Optional,40 Credits)

‘Media Dissertation’ involves the researching and writing of an 8,000-10,000 word media-related dissertation on a subject of your own choosing. You should attend a series of mandatory lecture/workshop sessions in which the fundamental requirements of preparing and researching a dissertation will be examined and explained. These sessions will be spread across semester 1 and semester 2. In Semester 1, you will develop your initial dissertation proposal up to the point where you are ready to start writing the dissertation itself. You will develop your information-retrieval skills, familiarise yourself with your chosen subject, find solutions to any problems arising out of your research design, consider the significance of any ethical constraints, formulate your principal research question, and determine the methodology you will use. You are required to complete a 2000 word dissertation plan as part of your progress (however, the module grade will be entirely assessed against your final 8000-10000 word dissertation). In Semester 2 you will develop and amend the ideas in your dissertation plan, carry out further research, prepare and write the final dissertation. Supervision will continue to be provided through regular meetings with your supervisor.

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MP6037 -

Sport, Media and Society (Optional,20 Credits)

‘Sport, Media and Society’ is designed so you learn to apply critical thought, sociological analysis and relevant theories to contemporary mediated-sport. The content will necessarily be dynamic and continually evolving to reflect the fluid nature of the relationship between contemporary sport and the media (particularly through the development of new and social media) as well as related theoretical and political debates. However, the module will be built around the following key themes which are likely to remain central to it
• The history of mass media, using sports media as an exemplary case study, with focus on related social and cultural institutions (eg advertising and government)
• Sports-media as an agent of socialisation and source of social and cultural power.
• The emergence of ‘new’ and ‘social’ media (including, but not limited to, Twitter, Periscope, gambling, gaming) and its impact on traditional forms of media as well as the construction of sports-media narratives, identity and other social relations.
• Underlying theoretical, ethical and political issues in the relationship between sport and the mass media, including, but not limited to, the representation of gender, sexuality, class and regional and national identities.

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MP6039 -

Employability Portfolio (Optional,40 Credits)

In this module you will consider where your strengths lie in the field if journalism (or your chosen post-graduation career path) and thus what profession, activity or further study would suit you. Research and investigation of current practice is at the core of the module. Your work will reflect current contemporary practice in journalism (or your chosen profession) while taking an approach of curiosity, creativity and experimentation, showing understanding of the roles and responsibilities in your chosen field.
This module guides you in the identification and successful completion of a work experience placement. The work placement or portfolio of visits totals a minimum of four weeks (20 days). The intention is that every student will gain experience of work placement in the journalism and/or media industry, learning not only a basic understanding of the production processes at placement organisations but, using skills taught on the course, learn to become part of the placement organisation team, thereby making a meaningful contribution wherever possible to the output. You also gain insight into employability by developing CVs, personal branding skills and job interview techniques via a series of lectures and seminars
You will realise a comprehensive and dynamic exit portfolio of work that demonstrates your capabilities as a professional journalist. You will be encouraged and supported to present your skills and abilities in a manner appealing to a potential employer, highlighting employability and flexibility through your individual project outcomes. Your in-depth research skills will translate into polished final outputs, equipping you with industry-standard knowledge of contemporary practice, technological insight and a professional and employable skill set.

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YA5001 -

Academic Language Skills for Arts (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

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To start your application, simply select the month you would like to start your course.

Journalism and English Literature BA (Hons)

Home or EU applicants please apply through UCAS

International applicants please apply using the links below

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All information on this course page is accurate at the time of viewing.

Our Campus based courses starting in 2022 and 2023 will be delivered on-campus with supporting online learning content. We continue to monitor government and local authority guidance in relation to Covid-19 and we are ready and able to adjust the delivery of our education accordingly to ensure the health and safety of our students and staff.

On-campus contact time is subject to increase or decrease in line with any additional restrictions, which may be imposed by the Government or the University in the interest of maintaining the health and safety and wellbeing of students, staff, and visitors. This could potentially mean increased or fully online delivery, should such restrictions on in-person contact time be required.

 

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We continuously review and improve course content in consultation with our students and employers. To make sure we can inform you of any changes to your course register for updates on the course page.


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