Biography
Liz Pavey, dance artist/researcher (improviser, choreographer and teacher), has lectured in performance at Northumbria University since 2004. Her practice research is often site-specific or gallery-based and focuses on the intra-being of moving bodies as part of environments and ecologies. She enjoys working with students in Theatre & Performance and related subjects from Foundation to Postgraduate levels. Her teaching in movement, contemporary dance, performance and the body is informed by her practice research and her work as a Shiatsu (Japanese bodywork) practitioner. She is qualified in business coaching and works as part of the university's Internal Coaching Network.
Liz is a Senior Fellow of the HEA. She has been External Examiner for Dance programmes at UCLan, University of Bedfordshire, Chester University and at MMU. Liz is a trustee of Surface Area Dance Theatre.
Before joining Northumbria University, Liz was Senior Lecturer in Dance at Wolverhampton University. She holds an MA The Body & Representation from Reading University and a BA(Hons) Dance in Society from Surrey University. During her undergraduate studies she spent a year at Ohio State University taking courses in dance, LMA and advanced Labanotation.
For details of Liz's current research please select 'Research Themes and Scholarly Interests' below.
Liz Pavey is a dance artist/researcher (improviser, choreographer and teacher) whose practice investigates relationships between moving bodies and their environments. Her personal values, practice and research imperatives are concerned with fostering individual and collective wellbeing. Liz’s work is informed by phenomenology and theories of embodiment, new materialism, posthumanism, somatics, and affect together with Eastern perspectives unpinning her work as a Shiatsu (Japanese bodywork) practitioner. Arising from her expertise in practices including Qigong, Contact Improvisation and Laban Movement Analysis, key research themes encompass slowness, grounding, empathy and sensitive touch.
Liz’s practice research is often site-specific or gallery based. She is currently leading Living Stone: We are the rocks dancing a practice-research project investigating how durational improvised dance can help us make sense of the immensity and rhythms of geological time and deep future through developing an embodied sense that we carry deep time within us. Following two performances at Great North Museum (GNM) Hancock in November 2022 and June 2023, Liz facilitated Deep Time Bodies a participatory project offered in partnership with Tyne & Wear Archives & Museums culminating in a performance in the GNM's Fossil Stories gallery, January 2024. In June 2024 she completed the Deep Time Walk facilitator training and has since led many of these transformative walks.
Liz values working as a co-investigator on collaborative interdisciplinary research:
When Words Fail Us, Expressing the Unspeakable: The Other Side of Me (PI creative writer the late Dr Laura Fish) - a practice-led research project exploring how language and movement engage with a narrative concerning experiences of indigeneity, place, freedom, and young people's experience of the criminal justice system. The project centres on a partnership with leading Indigenous Australian choreographer Gary Lang to create of a physical theatre performance combing different narrative forms – writing, dance, oral storytelling. The dance production The Other Side of Me premiered at the Darwin Festival in August 2023. Then during April-June 2024, with the prestigious support of Blakdance, the production toured to Margaret River, Perth, Karratha, Carnarvon, Darwin, and Alice Springs. It will feature at the 2025 DanceX Festival in Melbourne. The project has included delivering cross art-form workshops for vulnerable and disadvantaged young people and young offenders at a Secure Children's Home in the UK and a Youth Detention Centre in Australia.
Evaluation of the impact of Dance United Yorkshire's work within women's prisons: Liz is collaborating with NU colleagues in Criminology and Human Geography on research which seeks to explore and understand from different academic perspectives if DUY's interventions with women in the criminal justice system improve the mental health and wellbeing, self-esteem and confidence of the participants.
- Please visit the Pure Research Information Portal for further information
- Book review: Aleksandar Sasha Dundjerovic and Maria José Martínez Sánchez, Placeness and the Performative Production of Space, Pavey, L. 27 May 2025, In: Cultural Geographies
- Get Up and Tie Your Fingers: affective choreography emphasizing touch within community storytelling performances, Pavey, L. 2 Jan 2025, In: The Senses & Society
- Deep Time Bodies, Pavey, L., Black, B., Bostock, C., Burford, J., Gower, J., Kennedy, B., Orban, A., Palmer, A., Stevens, P., Thompson, N., Wilson, C., Hudson, M., Humphrey, S., Foster, N., Eriksson, E. 25 Jan 2024
- Flow ~ Hold ~ Flow, Kennedy, B., Pavey, L., Bostock, C., Bateman, B., Melvin, K., Daykin, N., Bassett, E., Felstead, B., Michnowska, P. 6 Dec 2024
- Lithic, energetic embodiment, Pavey, L. 2 Nov 2024, Contested & Erased Energy Knowledges
- Moving with the rhythms of deep time, Pavey, L. 2 Jul 2024, Rhythm as Knowledge
- Deep Time Walk & Dance: For Earth Dance 2023, Pavey, L. 22 Apr 2023
- Living Stone Living Fossils: A durational improvised performance in relationship with the Frosterley Marble, Pavey, L., Heath, G., Huss, E., Loughran, B., Pencak, C., Rann, K., Rogerson, M., Xion, C., Bytautas, A., de la Haye, D. 30 Jun 2023
- The Other Side of Me, Lang, G., Fish, L., Pavey, L., McCallum, E., Rogers, E., Crawshaw, J., Shader, N., Irwin, J., Mercurio, J., Pearson, A., Abbot, A., Connell, C., Norris, J., Tassone, P. 9 Aug 2023
- Get Up and Tie Your Fingers Eyemouth: Listening for dialogic resonance within a co-produced community performance, Pavey, L., MacPherson, F. 1 Jun 2022, In: Journal of Arts & Communities
- Please visit the Pure Research Information Portal for further information
- Oral presentation: Creating site performance with Newcastle Cathedral: responsibility and inclusion in an experiential learning process 2025
- Oral presentation: Facilitated post screening conversation with the audience 2025
- Participating in a conference, workshop, ...: Contested & Erased Energy Knowledges 2024
- Organising a conference, workshop, ...: Deep Time Futures 2024
- Participating in a conference, workshop, ...: Care Aesthetics & Moving Bodies 2024
- Invited talk: Cross-Cultural Arts Practice: Working with Young People within Criminal Justice Systems 2023
- Hosting an academic visitor: Gary Lang 2020
- Participating in a conference, workshop, ...: Art in the Anthropocene 2019
- Oral presentation: The Other Side of Me 2019
- Oral presentation: Active Listening as Environment: empowering a coastal community to listen anew to their shared stories 2019
- Teaching & Learning PGCert June 30 2001
- Arts (general) MA (Hons) June 30 2001
- ILM Level 5 Coaching and Mentoring 2015
- Senior Fellow (SFHEA) Higher Education Academy (HEA) 2015
- Please visit the Pure Research Information Portal for further information
- The practice-led research project When Words Fail Us, Expressing the Unspeakable: The Other Side of Me, combines contemporary and traditional Indigenous Australian dance, literature and physical theatre to explore ways to communicate a true story of personal trauma that sits at the limits of linguistic expression. Dr Laura Fish and Liz Pavey, Assistant Professors, Northumbria University, have been working collaboratively on the project with Gary Lang, a Larrakia man, Artistic Director, Northern Territory Dance Company (NTDC), an Indigenous-owned Darwin-based dance company.
- Affective Choreography in Performance and Fostering Resilience through Earthed Movement Practice
- d.i.n.e. (dance improvisation north east) is a collective of independent dance artists based in the North East of England who work with improvisation and somatic movement practices. The collective was founded by Angela Kennedy, Liz Pavey, Paula Turner and Fiona Wright.
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