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Tony Williams is a poet and fiction writer. His practice research into the forms and techniques of medieval writing produced two novels, Nutcase (2017), an adaptation of the Icelandic saga of Grettir the Strong into a contemporary setting, and most recently Cole the Magnificent (2023), a picaresque which draws on a range of medieval forms and the ‘mixed modality’ of saga narrative in which the real and the fantastical coexist. His poetry collection Hawthorn City (2019) also engages with medieval material while continuing the interest in landscape and the contemporary pastoral developed in his earlier collections.
His poetry has been shortlisted for the Aldeburgh First Collection Prize, the Portico Prize for Literature and the Michael Murphy Memorial Prize. His flash fiction collection All the Bananas I’ve Never Eaten (2012) won Best Short Story Collection in the 2013 Saboteur Awards, and the visual sonnet sequence All the Rooms of Uncle’s Head (2011) was the Poetry Book Society’s Pamphlet Choice. He has also published critically on the reflective component of creative writing research and on the filmpoem.
He was a Co-I on the AHRC-funded project ‘Ephemera and writing about war, 1914 to the present’. Current prose projects explore themes of isolation, self-understanding and myth-making via both medieval and contemporary forms. His current work in poetry explores via the discursive mode as a means of thinking about art and perception. He also works with Professor Billy Clark on the pragmatics of creative writing.
Tony has supervised a wide range of creative writing PhDs and is interested in hearing from candidates working in either poetry or prose.
Campus Address
Lipman 016- Please visit the Pure Research Information Portal for further information
- Caldebroc, by Antony Rowland, Arc Publications, 2023, 87 pp, £10.99, ISBN 978-1-911469-31-5, Williams, T. 23 Feb 2024, In: Bronte Studies
- First World War ephemera: fragments - an anthology, Einhaus, A., Sumbwanyambe, M., Williams, T., Kempshall, C., Pennell, C., Tattersall, F., Newbrook, R. 8 Apr 2024
- Cole The Magnificent, Williams, T. 15 Aug 2023
- Grettir in Sheffield: Rewriting Icelandic saga as a contemporary novel, Williams, T. Oct 2019, In: TEXT
- Hawthorn City, Williams, T. 15 Nov 2019
- In Conversation: Capturing Reflection Between Poetry and Filmmaking Practice, Williams, T., Fentiman, A. Apr 2019, In: TEXT
- On reflection: The role, mode and medium of the reflective component in practice as research, Green, M., Williams, T. 30 Apr 2018, In: TEXT
- Nutcase, Williams, T. 15 Sep 2017
- Love songs of carbon, Williams, T. Mar 2016, In: English
- Flash fiction, Williams, T. 1 Apr 2014, The Handbook of Creative Writing (2nd edition), Edinburgh, Edinburgh University Press
- Richard Kelly The Lie That Tells the Truth: crafting fiction from ‘the notes’ of non-fiction Start Date: 01/09/2025 End Date: 01/09/2025
- Helen James Beyond the Obvious: The Role of Quiet Photographs in Memoir Essays Start Date: 02/09/2025 End Date: 17/10/2025
- Mark Holmes Performing Elvis: A Creative and Critical Exploration of American Post-War Popular Culture and Working-Class Masculinities in the North East of England Start Date: 23/02/2022
- Sofie Schrey Writing a Rewilding Landscape Through an Ecocentric Hybrid Novel Start Date: 01/10/2021 End Date: 17/10/2025
- Mark Holmes Performing Elvis: A Creative and Critical Exploration of American Post-War Popular Culture and Working-Class Masculinities in the North East of England Start Date: 23/02/2022 End Date: 17/10/2025
- Helen James For Most Of It I Have No Photographs: The Role of Landscape Photographs in Adoption Memoir Writing Start Date: 02/09/2025
- Sofie Schrey Writing a Rewilding Landscape Through an Ecocentric Hybrid Novel Start Date: 01/10/2021
- Shaun Wilson Malc’s Boy – Exploring Voice and Identity Through Autofiction Start Date: 25/10/2024 End Date: 10/06/2025
- Education PGCert January 10 2011
- English PhD September 01 2003
- Fellow (FHEA) Higher Education Academy (HEA) 2011
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