Dr Victoria Horne

I’m an art historian specialising in the cultural and intellectual history of Anglo-American feminism. I tend to write about the mechanisms and infrastructures through which artistic and intellectual communities are formed, and I’m interested in artworks that also reflect on these historical concerns. My research has been published in Art History, Journal of Art Historiography, Journal of Visual Culture and Feminist Review, while I regularly write shorter pieces and reviews for publications incl. MAP and Burlington (Contemporary).

For the past few years I’ve been researching the feminist art press, positioning it as a galvanising force in the UK women’s art movement of the 1970s to 1990s. This material forms of the basis of my monograph, Making Our Own Art History: Feminist Arts News, 1978-93 (in progress, MUP). In addition to convening conferences on the subject, I have edited a volume of essays exploring grassroots, artist-led publishing and how it reshaped the cultural landscape in Britain and beyond, in Counter Print: The Alternative Art Press in Britain after 1970 (MUP Sept. 2025).

In 2025/26 I hold a Leverhulme Research Fellowship to complete my project on Feminist Arts News, and begin a new book (supported also by an Association for Art History Residency) looking at women's role in Irish modernism. 

I previously edited a special issue of Women: A Cultural Review on the theme, ‘Danger! Women Reading: Feminist Encounters with Art, History and Theory’ (vol. 30 no.3, Oct 2019), and co-edited with Lara Perry the book, Feminism and Art History Now (2017, reissued 2022). My research has received funding from the Terra Foundation for American Art, Paul Mellon Centre for Studies in British Art and the Association for Art History.

At Northumbria, I have taught historical and critical studies to students of Graphic Design, Fine Art and Film, as well as convening masters-level modules and supervising doctoral students. Since 2022 I have been Postgraduate Research Lead for Fine Art and from 2023 will be PGR Lead for the Department of Arts. I have co-ordinated the Visual and Material Culture Group’s since 2017, hosting almost 40 research seminars.

I am co-editor of Visual Culture in Britain and sit on the editorial board of Art History. 

If you’re a prospective PhD student please feel free to contact me, especially those interested in in studying feminist visual culture and theory, art historiography, periodical culture or institutional critique.

PhD, University of Edinburgh, 2014.
MA, University of Manchester, 2009.
BA, Queen's University Belfast, 2008.

• Please visit the Pure Research Information Portal for further information
• Counter Print: The alternative art press in Britain after 1970, Horne, V. 9 Sep 2025
• Introduction: Paper weight: periodicals and printed things in the contemporary art field, Horne, V. 9 Sep 2025, Counter Print, Manchester, United Kingdom, Manchester University Press
• Making Our Own Art History: Feminist Arts News, 1980-1993, Horne, V. 1 Sep 2025
• Spare Rib, 1972-1981: Art, activism and the women's movement press, Horne, V., Ruggiero, S. 9 Sep 2025, Counter Print, Manchester, Manchester University Press
• Feminist Approaches in Art History: Considering the Periodical Archive, Horne, V. 16 Sep 2021
• ‘the personal clutter… the painterly mess…’ Tracing a History of Carolee Schneemann's Interior Scroll, Horne, V. 1 Nov 2020, In: Art History
• Danger! Women Reading: Feminist Encounters with Art, History and Theory, Horne, V. 18 Oct 2019, In: Women: A Cultural Review
• Danger! Women Reading: Feminist Encounters with Art, History and Theory, Horne, V. 18 Oct 2019
• The Feminist Art of Self-Education, Horne, V. 2019
• ‘Our project is not to add to art history as we know it, but to change it.’ The establishment of the Association of Art Historians and the emergence of feminist interventions, 1974-1990, Horne, V. 1 Jun 2018, In: Journal of Art Historiography

• Please visit the Pure Research Information Portal for further information
• Editorial work: Visual Culture in Britain (Journal) 2024
• Editorial work: Women: A Cultural Review (Journal) 2019

• Vasileios Moschas Side Gallery as a Space of Otherwise: Photography, Working-Class Identities, and Global Struggles Start Date: 01/10/2025 End Date: 17/10/2025
• Vasileios Moschas Side Gallery as a Space of Potentiality: Photography, Working-ClassIdentities, and Global Struggles Start Date: 01/10/2025
• Shona MacNaughton Title: Embodying Feminist Infrastructures by performance – an investigation into institutional critique through events of (non) reproductive time. Start Date: 01/10/2023
• Rachel Boyd Historicizing Nerys Johnson Start Date: 01/10/2022
• Shona MacNaughton Title: Embodying Feminist Infrastructures by performance – an investigation into institutional critique through events of (non) reproductive time. Start Date: 01/10/2023 End Date: 17/10/2025
• Rachel Boyd Historicizing Nerys Johnson Start Date: 01/10/2022 End Date: 17/10/2025

Current PhD supervision: 

2024- : Shona MacNaughton, 'Respeaking Women's Health Activism' (RDF funded)

2022- : Rachel Boyd, 'Historicising Nerys Johnson; (Northern Bridge CDA)

Prior PhD supervision:

2021-24: Sonny Ruggiero (University of Edinburgh), "The Magazine with Heart: A history of Spare Rib ". Co-supervisor (external). 

2017-2021: James Bell, "Queering archives and archiving queers". Submitted April 2021. (RDF funded)

External roles:

2024-27: External Examiner, MA History of Modern and Contemporary Art, Courtauld Institute. 

2020-24: External Examiner, MA History of Art, University of Glasgow.