English Language and Literature (Extended Degree) (BA Hons)

In your third year you will be ready to become an independent thinker and researcher. The dissertation is your opportunity to research and write a substantial investigation of a topic that you are really passionate about. Your tutors will support you as you learn how to work independently and to manage a large project. You will also learn project-management, research, presentation and writing skills. You will learn to be self-motivated and independent. By the end of the module you will have produced a major piece of work that you can be proud of, and you will be ready to continue as an independent thinker in further study or in the graduate job you go on to at the end of your third year.

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

This module will enhance your awareness and appreciation of one of the most controversial and stimulating authors of the early modern period (and beyond!), Christopher Marlowe (1564-1593). Marlowe wrote plays and poems that expose our darkest hearts, showing characters lusting for power, and each other. Building on your brief contact with Marlowe at Level 5, this module will offer a chronological survey of his short but staggering career, situating each of his works in relation to the tumultuous contexts of their production and reception, including later appropriations. This will involve looking at Marlowe in relation to discussions of early modern politics, religious conflict, sexuality, urbanisation, imperialism, science and magic, ethnicity, geography, and historiography. The module therefore offers a unique opportunity to see how one writer’s remarkable career developed.

You will explore a selection of key prose texts (novels and short stories) about the First World War that were written between 1914 and the present day. You will relate these novels and short stories to a range of influential critical ideas across literary studies and history. The module will help you to understand the close links between literary writing about the war and the way the war has been remembered in Britain at different points in time and will develop your research skills beyond your own discipline by allowing you to engage with scholarly concepts and sources in history, psychology and sociology. By reading a range of autobiographical and fictional prose texts, you will think about the value of literary texts as sources of cultural history, and you will investigate the changing historical contexts in which these texts have been produced, published and read. Themes and topics you will cover include the representation of soldiers, enemies and allies, class and gender in war writing, formal and publishing aspects and memory and remembrance.

The Romantic period (1789-1832) was a time of revolutionary change in literature, yet the literature of the period is typically represented by a narrow list of elite poets. On this module you will learn about a much more diverse range of writing: by men and women, by the poor and the rich, and taking in styles from satirical poetry, to advertising, to magazine fiction, to essays about opium addiction. Is there a distinction between ‘high’ and ‘popular’ culture, and who gets to decide the answer? This was a question the Romantics asked, and it is one you will learn to answer. You will also learn to investigate the diverse range of literature produced in the period yourself by using e-resources to find texts from the period that you think are valuable. You will develop an enhanced knowledge of the literature and culture of the period and as a result you will learn to question the way that literary critics tell stories about who and what should count in literary history.

This module develops your awareness and understanding of post-Renaissance adaptations and appropriations of Shakespeare’s work, from the seventeenth century to the present day. It engages with Shakespearean adaptations belonging to different literary genres (in particular, drama and prose fiction) and different media (written texts, films). It examines the ways in which selected Shakespearean texts are transformed in subsequent adaptations, and the issues underpinning these transformations, especially those concerning race, gender, and class. It also engages with theoretical debates surrounding authorship, literary value, canonicity, and popular/high culture.

This module will offer you the opportunity to complete a large scale independent research project (10,000 words) on an English Language or Linguistics topic of your choice. You will learn how to plan, manage and organise a large scale research project; how to identify suitable research questions and methods; how to apply these methods appropriately to primary and/or secondary materials; and how to structure and write a sustained academic argument, following academic conventions appropriate to the discipline.

In designing and implementing your research project, you will draw on skills and knowledge developed during the programme. The dissertation will allow you to work independently, drawing on the advice and guidance of a designated supervisor.

Students will develop abilities that are highly valued by employers. These include the abilities to think and work systematically and independently, to interpret data and arguments, and to communicate coherently verbally and in writing.
Throughout your dissertation project, you will therefore draw upon, and, in your final submission demonstrate, key transferable skills which are essential for employment in the contemporary world, ranging from intellectual, to organisational, to communication skills.

This module studies cognitive linguistics, which is a sub-discipline of linguistic studies that explores the link between language and mind, and examines linguistic phenomena in the light of our cognitive processes (i.e. the way we think). You will examine the key principles, approaches and concepts in cognitive linguistics. Building upon this, you will be guided to take up further explorations in research areas of particular interest to you.

On completion of the module, you will be have an advanced knowledge of the fundamental aspects of cognitive linguistics, including topics such as embodiment, categorisation, metaphors, conceptual blending, and cognitive approaches to grammar. You will develop an appreciation of the place of cognitive linguistics within its intellectual context; an ability to reflect critically on the key topics; as well as an ability to carry out research tasks to support or refute central claims of cognitive linguistics. In fostering your ability to develop and undertake research tasks, the module contributes to your employability skills.

This module will examine the role of English in the world today, as you learn about the development of English as a world language and also as a language which has many global and local varieties.

You will develop your knowledge and critical understanding of the historical, social and political contexts of the global expansion and development of English and Englishes, and will explore types of variation across Englishes (variation across time, places and spaces). You will examine the emergence of new standard Englishes, and further develop your understanding of the debates surrounding standard language ideology. You will also explore the internationalisation and globalisation of English, examining the ways in which English is ‘marketed’ as the language of opportunity, but also acts as a ‘gatekeeper’ in our contemporary globalized world. You will examine the role of world Englishes in language death, and discuss possible future scenarios for new and world Englishes.

Throughout the module, you will evaluate the many varied perspectives about English which you encounter, and establish your own view of and position within these debates, developing your ability to present your own viewpoint in speech and in writing – a key employability skill.

In this module, you will learn how to use recently developed corpora of written or spoken language to investigate patterns of grammatical variation and/or change. You will learn what a corpus is, and the research skills necessary to use it. These skills including how to identify research questions and hypotheses, how to select research methods appropriate to particular hypotheses (including qualitative and quantitative approaches to corpus data), how to select and evaluate appropriate sources of corpus data, how to extract relevant data from the corpus to test a research hypothesis, and how to interpret those data in the light of theories of language variation and change. Through the practical experience of using corpora you will gain on this module, you will learn about the issues involved in conducting this kind of research, so that you will be able to evaluate the advantages and disadvantages of particular research techniques, methods or strategies that are applied within corpus studies of language variation and change Not only will this enable you to see how research in this field is conducted, it will provide you with opportunities to develop key transferable skills in the quantitative and qualitative analysis of large datasets, the interpretation of qualitative and quantitative data (particularly quantitative reasoning skills), the use of computerised databases and tools for statistical analysis, and the presentation of research data and analysis both verbally and in writing. Working in small groups will enhance your abilities to collaborate with others, to justify and take decisions, to manage a research project and to work independently.

In this module, you will critically analyse and review the development of language in direct relation to social disadvantage in young children, adolescents and adults. You will examine the theoretical associations and relationships between social disadvantage and language taking into account issues of cognition, literacy, behaviour, learning, socio-emotional development, intervention and its outcomes. You will develop your understanding of how theory applies to practice by critically evaluating various intervention studies designed to improve the spoken language abilities of young children and adolescents in various in nurseries, schools and other contexts.

You will consolidate and further develop your understanding of / critically evaluate relationship between methodology, data and theory which you developed on EL4011 ‘Doing Linguistics’ and EL5016 Psychology of Language.. During the module, you will develop your ability to present your own viewpoint in speech and in writing – a key employability skill.

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

Forensic Linguistics is the application of language analysis to forensically relevant texts for the purposes of advancing justice.

Referring to real life cases throughout, this module explores and critically analyses language used in legal contexts. First it focuses on written legal language, including critically reflecting on the kinds of communicative problems these texts might create for ordinary people. Students will conduct analyses of texts such as police cautions, insurance policies, consumer contracts, and jury instructions.

It moves on to examine the spoken language of the legal process, drawing on data from a wide range of sources such as police interviews and the courtroom. Students will consider the problems of vulnerable suspects and witnesses, including children, victims of sexual assault, non-native speakers of English, and individuals with specific communicative impairments. The module will conclude with consideration of the linguist as an expert witness, exploring the types of cases in which forensic linguists have been able to offer assistance.


The module will build upon skills acquired at Levels 4 & 5 in the description of written and spoken interaction, and will provide a detailed introduction to an important area of Applied Linguistics.

You will study a selection of texts, written from the eighteenth century to the present day, that engage with the natural environment in various ways. These include natural histories and popular science, pastoral and environmental poems, environmental protest literature, apocalyptic novels, and the ‘new nature writing’. You will learn how literary writers describe the world around them and how they use the natural world to articulate their own personal needs, feelings, and desires. You will study texts that draw attention both to natural beauty and to environmental catastrophe. You will learn how writers as diverse as Gilbert White, William Wordsworth, Charles Darwin, Rachel Carson, and Robert Macfarlane have changed the ways in which readers engage with the world around them. As part of your studies, you will learn to produce your own literary engagement with the natural world in a ‘creative field journal’, inspired by the writings of Charles Darwin, Robert Macfarlane, Amy Liptrott, and others. By the end of the module, you will have gained a sophisticated understanding not only of the ways that writers can change the world, but also how they can save it.

This module provides a detailed overview of the key concepts and issues in semantics (the study of language meaning). Along the way, we will discover a range of tools for analysing language and we will be engaging with current debates in linguistic theory. The module takes a problem-solving, interactive approach to analysing meaning and is designed to develop your ability to discover patterns (and exceptions) in language data.

This module will survey the ‘Sensation Mania’ of the 1860s as a historically significant literary phenomenon that seemed to threaten the growing respectability of the novel form. We will examine how a variety of sensation narratives, including novels, plays and short fiction, participated in contemporary debates over sexuality, morality, race and class. You will learn about the radical spaces these sensational texts provided for Victorian readers to question and to ‘queer’ societal ‘norms’. We will investigate the historical context in which sensation literature emerged, considering its debt to the Gothic; its strong ties to penny dreadfuls and tabloid journalism; the art of serial publication; the power of circulating libraries; the influence of notorious criminal trials, and important legislative changes such as divorce law reform.

Early modern/Shakespearean theatre was fascinated by questions of gender and its representation onstage. Early modern drama offers us important insights into its culture because, as a popular form which has become enshrined in the canon as ‘high art’, it gives us access to both popular and elite culture. This module explores the drama of the early modern period through the lens of stage gender and its intersections with race and race-making, faith, sexuality, and women’s writing and performance.

You will read plays by early modern men and women to explore topics such as: early modern femininities and masculinities; women’s performance and the early modern boy-actor; trans, queer, non-binary and gender nonconforming identities. We will structure our reading around the intersections of gender with questions of (1) faith (how, for example, does the English stage depict the gendered Muslim or Jewish subject in travel plays?); (2) race-making (how does the English stage depict racialised blackness and whiteness on an actor’s body? How does the stage forge concepts of race that we have inherited today?); and (3) sexuality (how does the Shakespearean stage represent queer desire? Is the Shakespearean boy-actor an inherently queer figure?). Because we are students of literature, for all of these categories, we’ll examine how these forces shape the language of the stage and the plays performed there.

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.