Skip navigation

Katie Watson

About the artist

Katie Watson is based in North East of England and is soon to graduate from Newcastle University with a First-Class Honours in BA Fine Art. Her current practice examines the abstract qualities of banal forms in contemporary culture, the universal language of visual information, and how this is interpreted and processed.

Katie's practice pursues a disjointed discourse, translating methods of “do it yourself” assembly into painting, visually describing movements and processes which are ubiquitous and universally understood. Her work originates from an interest in entirely visual methods of communication, whereby linguistics are replaced with directional motifs. This vocabulary of forms includes arrows, dotted lines and speech bubbles.

Through the development of her own visual language, the constructed dialogues involve fragments of pure description interrupted by areas of ambiguous, abstract shape. The paintings are essentially exercises in ‘gap filling’ providing only fragments of information. These elements are visual descriptions of single specific properties, such as an outline, colour, or texture. This fragmented schematisation creates an interrupted logic in her work. 

About her work

Constructed on bare birch plywood, Katie’s paintings celebrate the inherent qualities of this traditional construction material upon which she explores diagrammatic form and mechanical language. Her process involves the accumulation of diagrammatic information found in instructional flat-pack furniture booklets, vehicular maintenance manuals, and model construction kits. She then reinterprets fragments of this information through painting, multi-dimensional assemblages and dysfunctional objects.

As well as re-appropriating found diagrammatic imagery, Katie designs and produces her own every-day, functional objects and from this develops her own instruction manuals. The constructed object is never exhibited, giving the paintings a vague as they negotiate between image and object.  This play of formal values creates equivalencies between instruction and abstract form.

  

 


Latest News and Features

Chinstrap penguins on the Antarctic Peninsula taken by Professor Alison Banwell.
an image of uranus with aurora mapped
Northumbria University researchers have joined forces with the International Federation of Red Cross and Red Crescent Societies (IFRC) to deliver the third edition of the IFRC Limitless Youth Innovation Leadership Academy – a programme which has already reached thousands of young people across 150 countries with the aim of driving youth innovation.
Jack Parker sitting in a chair
Cllr Guy Renner Thompson and Professor Greta Defeyter with HAF Plus participants at Northumbria University
Solar farm
UUK Business Experts and VC
Professor Susan Edwards.
More events

Upcoming events

On Weaving
-
EY Degree Apprenticeship Information Event
Next Stop Northumbria
Launch of the Northern Interprofessional Education Strategy
Back to top