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About the artist
Katie Watson is based in North East of England and is soon to graduate from Newcastle University with a First-Class Honours in BA Fine Art. Her current practice examines the abstract qualities of banal forms in contemporary culture, the universal language of visual information, and how this is interpreted and processed.
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Katie's practice pursues a disjointed discourse, translating methods of “do it yourself” assembly into painting, visually describing movements and processes which are ubiquitous and universally understood. Her work originates from an interest in entirely visual methods of communication, whereby linguistics are replaced with directional motifs. This vocabulary of forms includes arrows, dotted lines and speech bubbles.
Through the development of her own visual language, the constructed dialogues involve fragments of pure description interrupted by areas of ambiguous, abstract shape. The paintings are essentially exercises in ‘gap filling’ providing only fragments of information. These elements are visual descriptions of single specific properties, such as an outline, colour, or texture. This fragmented schematisation creates an interrupted logic in her work.
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About her work
Constructed on bare birch plywood, Katie’s paintings celebrate the inherent qualities of this traditional construction material upon which she explores diagrammatic form and mechanical language. Her process involves the accumulation of diagrammatic information found in instructional flat-pack furniture booklets, vehicular maintenance manuals, and model construction kits. She then reinterprets fragments of this information through painting, multi-dimensional assemblages and dysfunctional objects.
As well as re-appropriating found diagrammatic imagery, Katie designs and produces her own every-day, functional objects and from this develops her own instruction manuals. The constructed object is never exhibited, giving the paintings a vague as they negotiate between image and object. This play of formal values creates equivalencies between instruction and abstract form.
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Woon Foundation Painting and Sculpture Prize 2018
- Kara Chin - 1ST PRIZE: WINNER OF THE WOON TAI JEE ART FELLOWSHIP
- Kimberley Cookey-Gam
- Harley Kuyck- Cohen
- Isaac Moss - JOINT 3RD PRIZE: CHEONG KAM HEE ART PRIZE
- Ronan Porter
- Josephine Rock
- Sebastian Sochan - JOINT 3RD PRIZE: CHEONG KAM HEE ART PRIZE
- Emily Stollery
- Rebecca Thomson - 2ND PRIZE: LIM AI FANG ART PRIZE
- Katie Watson
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Upcoming events
Culture in Conversation: Rethinking Leadership & Organisational Practice
CCE1 Newcastle Business School
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Metal Mining and the Tyne - Free Public Talk
Ellison Building (ELA 101)
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