Culture, Education and Conflict: The Relevance of Critical Conservation Pedagogies for Post-Conflict Afghanistan, Mulholland, R. 28 Jan 2022, In: Studies in Conservation
Analysis of Watercolour Pigments Found in Thaddeus Haenke's Eighteenth Century Colour Chart and Attributed to Ferdinand Bauer, Mulholland, R. 24 Oct 2018, Ciencia y Arte VII
The Mechanism and Materials of Painting Colour ‘Ad Vivum’ in the Eighteenth Century, Mulholland, R. 27 Jun 2019, Ad vivum?: Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800, Brill Academic Publishers
Identifying eighteenth century pigments at the Bodleian library using in situ Raman spectroscopy, XRF and hyperspectral imaging, Mulholland, R., Howell, D., Beeby, A., Domoney, K., Nicholson, K. Dec 2017, In: Heritage Science
‘And I know damned-well what he wanted!’ Deliberate Alteration and Interpretations of Intent in Several Late Sculptures by David Smith, Mulholland, R. 1 Feb 2014, The Real Thing?, London, Archetype Books
Painting by Numbers: Decoding Ferdinand Bauer’s Flora Graeca Colour Code, Mulholland, R. 17 Apr 2017
Art, Conservation and Conflict: War-damaged paintings at the National Gallery of Afghanistan, Mulholland, R. 27 Nov 2019, Art of the Lost: Discussing the Future of the Past
'Multiplicar las asociaciones': David Smith y Pinturas Modernas, Mulholland, R. 1 Feb 2011, IIC-GEC 12a Jornada de Conservación de Arte Contemporáneo, Madrid, Ministerio de Cultura y Deporte, Spain
